KøbenhanskeMotiver_1587-1807
man. The map that w as first done is signed and dated 1768, and the cartouche at the bottom left-hand corner is filled out w ith a descriptive text; it is on a sm aller scale and not quite as accurate and correct as the one exhibited here. But they are both draw n in the same careful and naive manner, and th ey provide a good comm and o f the parts of the city w ith in the ramparts seen from the n orth west, contrary to G edde's perspective map, w h ich is taken from the south (see cat. no. 82). The m an y single view s of the exhibition can here be seen in their true perspective, and even if the map cannot in all its details stand the test of criticism, it is nevertheless a rather accurate reproduc tion of the various parts o f the city, the n etw ork of streets, the canals and the m onum ental buildings. Bansen him self writes (on the map n ot included in this exhibition) that it is "a free-hand draw in g in ink and pen, exhibiting if not the greatest accuracy, then at last some resemblance. Not everybody's eyes are found tru stw o rth y o f the fo rtifi cations." Tw o projects b y Jardin have been included: the Frederiks Church, w h ich , it m ay be remembered, w as never finished, and the barracks at Sølvgade, built 1 7 6 5 -7 1 . 113 CO PENHAGEN SEEN FROM V A L B Y HILL c. 1770 This view belongs to a series o f draw ings w ith m otifs from Royal palaces, official buildin gs, churches in C open hagen, and R oyal palaces in the provinces. The style of drawing is very peculiar, supposedly the artist's intention was to copy the en gravin g. A lth o u g h his sense of per spective is not w ell-developed, the draw in g does have certain characteristics o f carefullness. There is good reason to believe that this v iew , and w ith it the w hole mentioned series, have been executed b y the same hand as the per spective map (cat. no. 112 ). Incidentally, the view is taken from approximately the same position as that o f the large view of the city in Pontoppidan's A tla s (see cat. no. 84), and it may even be p a rtly copied after it. H ow ever, the drawing is more carefu lly done, especially as regards the buildings outside the ramparts. N ew are the barracks in Sølvgade, built 1 7 6 5 -7 1 (to the left o f Rosenborg).
1 1 4 THE PALA CE SQUARE W ITH THE ENTRY OF THE HEIR PRESUMPTIVE A N D HIS FIANCE 1774 The watercolour depicts the disembarkation ceremony shortly before the wedding of the heir presumptive Frede rik and princess Sophie Frederikke on October 21st, 1774. She arrived in Copenhagen on a m an-of-w ar and conse quently the landing place was adorned properly w ith fes tive decorations of wood, canvas and plaster. C. F. Hars- dorff had supplied the draw ings for these. He transformed the Slotholm s Canal and the canal along the Stock Ex change into a classical harbour, and at the landing place he set up a triumphal arch in colossal dimensions flanked b y balustrades and two columnae rostratae. In the back ground on the right it is seen that also the A siatic Com pany decorated their grounds w ith two provisional obe lisks. A t the same time we get a view of the city as it looked through the w indow s of the Palace. On the left we see a row of dw elling houses in Ved Stranden which were all burnt down in 1795. Behind and to the right of H ol mens Church w e see Gammelholm , and aw ay, at the har bour entrance, the Bradebænke warehouse. Reproduced p. 71. Lund had been studying in Paris and Rome for a long time where he did a series of topographical and landscape studies (now in the Printroom of the Royal Museum of Fine A rts in Copenhagen). It seems as if he brought the ligh t and colours of Southern Europe back w ith him to Copenhagen where he drew and painted a number of pic tures o f the city, richly coloured and w ith a distinctive p lay of light and shade. Furthermore he treated the motifs rather freely so that the gouaches at times resemble capric- cios. In this view from the Palace Square one looks to wards Gamm elholm ; the figures on Holmen bridge are far too big, the chapel of Holmens Church extremely short, 115 G AMM ELHOLM A N D THE STOCK EXCHANGE c. 1775
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