Warhol at Halcyon Gallery - Graphics

G R A P H I C S

G R A P H I C S

AWA-SPR-ABS-23307

ANDY WARHOL (1928–1987) $ [Quadrant] , 1982

Unique screenprint on Lenox Museum Board From the $ [Quadrant] set, comprising two screenprints Signed by the artist and numbered in pencil, lower left on recto Bears the stamp ‘© Andy Warhol 1982’ in red ink, on verso Printed by Rupert Jasen Smith, New York Published by Andy Warhol, New York Edition 42 of 60 (+ 10 AP, 3 PP) 100 x 81.30 (39.5 x 32 in.)

Exhibitions New York, Leo Castelli Gallery, Andy Warhol: Dollar Signs , 1982 (first exhibited)

Literature Concordance: Feldman and Schellmann II.284

Frayda Feldman and Jörg Schellmann (eds.), Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), no. II.284, p. 127 (illustrated)

AWA-SPR-ABS-22411

ANDY WARHOL (1928–1987) Caution: Remove or Bend over Projecting Nails , c. 1983

Screenprint on Saunders Waterford (Hot Pressed) paper Bears the stamps of The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, on verso; annotated with the initials ‘V. F’ [Vincent Freemont], a representative of the Andy Warhol Foundation, and the unique inventory number ‘UP17.03’, lower right on verso

Printed by Rupert Jasen Smith, New York Image: 17.1 x 33.6 cm (6.73 x 13.22 in.) Sheet: 39.2 x 55 cm (15.43 x 21.65 in.)

Literature Concordance: Feldman and Schellmann IIIA.47

Frayda Feldman and Jörg Schellmann (eds.), Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), no. IIIA.47, p. 246

AWA-SPR-ABS-79487

ANDY WARHOL (1928–1987) After the Party , 1979

Unique screenprint on Arches 88 paper Bears the stamps of the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts; Annotated with the authentication number 0785 UT.006 , on verso Printed by Rupert Jasen Smith, New York Unpublished Trial Proof print Aside from edition of 1000 76.5 x 101.5 cm

Exhibitions Corresponding editions of this print reside in the following permanent collections:

National Gallery of Australia, Canberra Art in Embassies Program, Washington D.C.

Literature Frayda Feldman and Jörg Schellmann. Andy Warhol Prints. A Catalogue Raisonné 1962-1987 (New York: The Andy Warhol Foundation for the Visual Arts, Inc., et al., 2003), See: II.183, p. 102

AWA-SPR-ABS-22913

ANDY WARHOL (1928–1987) General Custer , 1986

Screenprint in colour on Lenox Museum Board Signed by the artist and numbered, lower left on recto From the Cowboys and Indians , comprising ten works Printed by Rupert Jasen Smith, New York Published Gaultney, Klineman Art, Inc., New York Edition of 250 (+50 AP, 15 PP, 15 HC, 10 I–X) 91.4 x 91.4 cm (36 x 46 in.)

Exhibitions Texas, Texas Christian University, Andy Warhol’s Cowboys and Indians , 18 February–14 March 1986; exhibition then travelled to New York, The Museum of the American Indian, 4 June–19 June 1986 (first exhibited)

Literature Concordance: Feldman and Schellmann II.379

Frayda Feldman and Jörg Schellmann (eds.), Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), no. II.379, pp. 154–155 (illustrated)

AWA-SPR-ABS-22932

ANDY WARHOL (1928–1987) Joseph Beuys , 1980-83

Unique screenprint on Lenox Museum Board Signed by the artist and numbered in pencil, lower right on recto Bears the stamp in black on verso: © Andy Warhol 1980 Bears the stamp in blue on verso: ‘Beuys by Warhol Published by Verlag Schellmann & Kluser Munchen’ Printed by Rupert Jasen Smith, New York Published by Verlag Schellmann & Klüser, Munich Trial Proof of 45 TP. Aside edition of 150 (+36 AP, 9 PP) 101.5 x 81 cm (40 x 32 in.)

Exhibitions Munich, Germany, Schellmann & Klüser, Beuys by Warhol , 6 May–29 July, 1980 (first exhibited)

Literature Concordance: IIB.242–244

Frayda Feldman and Jörg Schellmann (eds.), AndyWarhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), no. IIB.242–244, p. 182 (variation in colour, illustrated)

AWA-SPR-ABS-23478

ANDY WARHOL (1928–1987) Kachina Dolls, 1986

Screenprint in colours on Lenox Museum Board From the portfolio Cowboys and Indians, comprising ten works Signed and numbered by the artist, lower right on recto Bears the stamp, ‘© ANDY WARHOL 1986 / PUBLISHER: / GAULTNEY-KLINEMAN ART / NEW YORK’ on verso Inscribed ‘INC’ in pen on verso Printed by Rupert Jasen Smith, New York Published by Gaultney-Klineman Art, Inc., New York Edition of 250 91.4 x 91.4 cm | 36 x 36 in.

Exhibitions Texas, Texas Christian University, Andy Warhol’s Cowboys and Indians , February 18-March 14, 1986 New York, Museum of the American Indian, Andy Warhol’s Cowboys and Indians , June 4-19, 1986

Literature Concordance: Feldman & Schellman. II.381

Frayda Feldman and Jörg Schellmann (eds.), Andy Warhol Prints. A Catalogue Raisonné 1962–1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), no. II. 381, pp. 154–155

AWA-SPR-ABS-22914

ANDY WARHOL (1928–1987) Northwest Coast Mask , 1986

Screenprint in colour on Lenox Museum Board From the Cowboys and Indians series, comprising ten works Signed by the artist and numbered, lower left on recto Printed by Rupert Jasen Smith, New York Published Gaultney, Klineman Art, Inc., New York Edition of 250 (+50 AP, 15 PP, 15 HC, 10 I–X) 91.4 x 91.4 cm (36 x 46 in.)

Exhibitions Texas, Texas Christian University, Andy Warhol’s Cowboys and Indians , 18 February–14 March 1986; exhibition then travelled to New York, The Museum of the American Indian, 4 June–19 June 1986 (first exhibited)

Literature Concordance: Feldman and Schellmann II.382

Frayda Feldman and Jörg Schellmann (eds.), Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), no. II.382, pp.154–155 (illustrated)

AWA-SPR-ABS-22929

ANDY WARHOL (1928–1987) Plains Indian Shield , 1986

Screenprint in colour on Lenox Museum Board Signed by the artist and numbered, lower left on recto Printed by Rupert Jasen Smith, New York Published Gaultney, Klineman Art, Inc., New York Edition of 250 (+50 AP, 15 PP, 15 HC, 10 I–X) 91.4 x 91.4 cm (36 x 46 in.)

Exhibitions Texas, Texas Christian University, Andy Warhol’s Cowboys and Indians , 18 February–14 March 1986; exhibition then travelled to New York, The Museum of the American Indian, 4 June–19 June 1986 (first exhibited)

Literature Concordance: Feldman and Schellmann II.382

Frayda Feldman and Jörg Schellmann (eds.), Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), no. II.382, pp.154–155 (illustrated)

AWA-SPR-ABS-80671

ANDY WARHOL (1928–1987) Sandals , 1984

Unique screenprint on Moulin du Verger paper Bears the stamps of the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts Annotated with the authentication number UP 49.01 , on verso

Printed by Rupert Jasen Smith, New York 55.6 x 75.2 cm | 21 7/8 x 29 5/8 inches

Accompanied by a certificate of authenticity from Andy Warhol Foundation for Visual Arts, New York

Literature Concordance: Feldman and Schellmann IIIB.26

Frayda Feldman and Jörg Schellmann, eds., Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), no. IIIB.26, p. 268 (illustrated)

AWA-SPR-ABS-80672

ANDY WARHOL (1928–1987) Sandals , 1984

Unique screenprint on Moulin du Verger paper Bears the stamps of the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts Annotated with the authentication number UP 49.05 , on verso

Printed by Rupert Jasen Smith, New York 55.6 x 75.2 cm | 21 5/8 x 29 3/4 inches

Accompanied by a certificate of authenticity from the Andy Warhol Foundation for the Visual Arts, New York

Literature Concordance: Feldman and Schellmann IIIB.26 [B]

Frayda Feldman and Jörg Schellmann, eds., Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), no. IIIB.26 [B], p. 268 (illustrated)

AWA-SPR-ABS-80673

ANDY WARHOL (1928–1987) Sandals , 1984

Unique screenprint on Moulin du Verger paper Bears the stamps of the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts Annotated with the authentication number UP 49.08 , on verso

Printed by Rupert Jasen Smith, New York 55.6 x 75.2 cm | 21 7/8 x 29 5/8 inches

Accompanied by a certificate of authenticity from the Andy Warhol Foundation for Visual Arts, New York

Literature Concordance: See: Feldman and Schellmann IIIB.26

Frayda Feldman and Jörg Schellmann, eds., Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), no. IIIB.24, p. 268 (illustrated)

AWA-LIT-POR-82860

ANDY WARHOL (1928–1987) Self-Portrait , 1966

Lithograph on silver coated paper Signed by the artist in ball-point pen, on verso Printed by Total Color, New York Published by the Leo Castelli Gallery, New York Edition 231 of 300 58.4 x 58.4 cm | 23 x 23 inches

Exhibitions New York, Leo Castelli Gallery, Andy Warhol , April 2–April 27, 1966 (first exhibited) London, Halcyon Gallery, WARHOL/MAURO , July 19–September 15, 2012

Comparative paintings reside in the following museum collections: New York, Collection of the Museum of Modern Art, no. 513.1998.a-i (see variation: Self-Portrait , 1967, silkscreen painting on nine canvas) London, Collection of the Tate, no. T01288, acquired in 1971 (see variation: Self-Portrait , 1967, silkscreen painting on canvas)

Literature Concordance: Feldman and Schellmann II.16 | Crone 618

Rainer Crone, Andy Warhol , (London: Thames & Hudson, Ltd., 1970), no. 618 (illustrated) Frayda Feldman and Jörg Schellmann (eds.), Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), no. II.16, p.65 (illustrated) Halcyon Gallery, Master Editions , Vol. II., (London: Halcyon Gallery, 2013), pp. 210–211 (illustrated) Phaidon (eds.), Andy Warhol “Giant Size” , introduction by Dave Hickey (London/New York: Phaidon Press, 2006), pp.270–271 (see variation: Self-Portrait , 1967, silkscreen painting on canvas) Heiner Bastian (ed.), Andy Warhol Retrospective , (London: Tate Publishing, 2001), no. 152; 153; 155 (see variation: Self-Portrait , 1967, silkscreen painting on canvas) David Bourdon, Warhol , (New York: Harry N. Abrams, 1989), no. 208, p. 238 (see variation: Self-Portrait , 1967, silkscreen painting on canvas) Kyneston McShine (ed.), Andy Warhol: A Retrospective , (New York: The Museum of Modern Art, 1989), no. 4 – 10, pp. 85–91 (see variations: Self-Portrait , 1967, silkscreen painting on canvas)

AWA-SPR-ABS-79480

ANDY WARHOL (1928–1987) Self-Portrait , c. 1977

Unique screenprint on Curtis Rag paper Bears the stamps of The Estate of Andy Warhol and The Andy Warhol Foundation of the Visual Arts; Annotated with the authentication number UP 50.41 , on verso Printed by Rupert Jasen Smith, New York Unique unpublished print II4.3 x 88.9 cm | 45 x 35 inches

Exhibitions London, Halcyon Gallery, Master Editions , September 19–November 10, 2013

Literature Concordance: See: Feldman and Schellmann IIIC.30

Frayda Feldman and Jörg Schellmann (eds.), Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), see: IIIC.30, p.297 [variation in composition] Halcyon Gallery, Master Editions , Vol. II., exhibition catalogue (London: Halcyon Gallery, 2013), pp. 214 – 215 (illustrated)

AWA-SPR-POP-23319

ANDY WARHOL (1928–1987) Shoes , 1980

Unique screenprint with diamond dust on Arches Aquarelle (Cold Pressed) paper From the Shoes portfolio, comprising five screenprints Signed by the artist and dated ‘1980’ and annotated ‘AP’ in pencil, on verso Inscribed with dedication ‘To Ron and Doria. Happy Wedding’ in pencil, on verso Artist Proof. Aside edition of 60 Printed by Rupert Jasen Smith, New York 102.5 x 151.13 cm (40 1/4 x 59 1/2 in.)

Exhibitions Tokyo, Galerie Watari, The Shoe Portfolio , February 25-April 4 1981 (published edition, first exhibited)

Literature Frayda Feldman and Jörg Schellmann (eds.), Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), See: II.257, pp. 120–121 (variation in colour, illustrated)

AWA-SPR-ABS-22912

ANDY WARHOL (1928–1987) The New Spirit , 1985

Screenprints in colour on Lenox Museum Board Signed by the artist and numbered in pencil, lower left on recto Bears the printer’s chop-mark and the publisher’s chop-mark, on verso Printed by Rupert Jasen Smith, New York Published by Ronald Feldman Fine Arts, Inc., New York Edition of 190 (+30 AP, 5 PP, 5 EP, 10 HC, 10 I–X) 96.5 x 96.5 cm (38 x 38 in.)

Selected Exhibitions Old Westbury, New York, Amelie A. Wallace Gallery, State University of New York at Old Westbury, Ads , 4 February–2 March, 1985 (first exhibited) Lewisburg, Pennsylvania, Center Gallery, Bucknell University, Ads: 10 Silkscreens , 1 August–1 September, 1985 Ridgefield, Connecticut, The Aldrich Museum of Contemporary Art, Andy Warhol: Ad Prints , 17 January–21 February, 1988 Frayda Feldman and Jörg Schellmann, eds., Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), no. II.350–359, pp. 146–147 (illustrated) Ads: ‘Prints and Photographs Published’ in The Print Collector’s Newsletter , Vol. 16 (July–August 1985), p. 102 Phaidon (eds.), Andy Warhol “Giant” Size , contributions by Steve Bluttal, Dave Hickey, Bruno Bischofberger, Ronnie Cutrone, Ivan Karp, et. al. (London: Phaidon Press Limited, 2006; reprinted 2009), pp. 580–581 (illustrated) Literature Concordance: Feldman and Schellman II.350–359

AWA-SPR-POR-21565

ANDY WARHOL (1928–1987) Blackglama (Judy Garland) , 1985

Screenprint on Lenox Museum Board From the portfolio Ads , comprising ten screenprints Signed by the artist in pencil, lower left on recto Printed by printed by Rupert Jasen Smith, New York Published by Ronald Feldman Fine Arts, Inc., New York Edition of 190 (+ 30 AP, 5 PP, 5 EP, 10 HC, 10 I–X, 1 BAT, 30 TP) 96.5 x 96.5 cm | 38 x 38 inches

Bears the stamp ‘© Andy Warhol 1985 Publisher: Ronald Feldman Fine Arts, Inc., New York’, on verso; Bears the additional stamp ‘© Blackglama and What Becomes a Legend Most with its representation are trademarked and copyrighted by the Great Lakes Mink Association’, on verso. The present work was created using twelve screens and seventeen colours.

Exhibitions New York, Amelie A. Wallace Gallery, State University of New York at Old Westbury, Ads , February 4-March 2, 1985 (first exhibited)

Literature Concordance: Feldman and Schellmann. II.351

Frayda Feldman and Jörg Schellmann (eds.), Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), no. II.351, pp.146–147 (illustrated)

AWA-SPR-ABS-23508

ANDY WARHOL (1928–1987) Mick Jagger , 1975

Screenprint in colour on Archers Aquarelle (rough) paper From the series, Mick Jagger , comprising ten works Signed by the artist in pencil, lower right on recto Numbered in pencil, lower left on recto Edition numbered in pencil, lower left on recto

Printed by Alexander Heinrici, New York Published by Seabird Editions, London

Edition of 250 (+ 50 AP, 3PP) 110.5 x 73.7 cm | 43 1/2 x 29 in.

Literature Concordance: Feldman and Schellmann II.142

Frayda Feldman and Jörg Schellmann, eds., Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), no. II.142, pp. 92–93 (illustrated)

AWA-SPR-ABS-23512

ANDY WARHOL (1928–1987) Cow , 1976

Screenprint in colour on wallpaper Printed by Bill Miller’s Wallpaper Studio, Inc., New York Published by Factory Additions, New York 117.2 x 74.9 cm (46 1/8 x 29 1/2 in.) Signed by the artist

Exhibitions Published for an exhibition at the Modern Art Pavilion, Seattle Center, Seattle, Washington, November 18, 1976-January 9, 1977

Literature Frayda Feldman and Jörg Schellmann. Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition (New York: The Andy Warhol Foundation for the Visual Arts, Inc.; Ronald Feldman Fine Arts; Edition Schellmann, 2003), no. II.12A, p.63 (illustrated)

Halcyon Gallery, Master Editions, Vol. II. , exhibition catalogue (London: Halcyon Gallery, 2013), pp. 164–165 (corresponding edition, illustrated)

AWA-SPR-ABS-23514

ANDY WARHOL (1928–1987) Cow , 1971

Screenprint in colour printed on wallpaper Printed by Bill Miller’s Wallpaper Studio, Inc., New York Published by Factory Additions, New York 115.9 x 75.2 cm I 45 5/8 x 29 5/8 in. Signed and dated ‘71’; inscribed ‘Happy Birthday Antony R.’ in ink

Exhibitions Published for a Warhol exhibition at the Whitney Museum of American art, New York, May 1 – June 13, 1971

Literature Frayda Feldman and Jörg Schellmann. Andy Warhol Prints. A Catalogue Raisonne 1962 – 1987 , fourth edition (New York: The Andy Warhol Foundation for the Visual Arts, Inc.; Ronald Feldman Fine Arts; Edition Schellmann, 2003), no. II.11A, p.62 (illustrated)

AWA-SPR-ABS-23515

ANDY WARHOL (1928–1987) Mickey Mouse , 1981

Screenprint in colours with diamond dust on Lenox Museum Board From the Myths portfolio, comprising ten works Signed by the artist and numbered in pencil Printed by Rupert Jasen Smith, New York Published by Ronald Feldman Fine Arts, Inc., New York From an edition of 200 (+ 5 PP + 5 EP) 96.2 x 96.2 cm (38 x 38 in.)

Exhibitions New York, Ronald Feldman Gallery, Andy Warhol: Myths , September-October 1981 (first exhibited) London, Halcyon Gallery, Warhol/Mauro , 19 July–15 September 2012 Literature Frayda Feldman and Jörg Schellmann (eds.), Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), no. IIB.265, pp.183-185 (illustrated)

AWA-SPR-ABS-23517

ANDY WARHOL (1928–1987) Annie Oakley , 1986

Screenprint in colour on Lenox Museum Board From the portfolio Cowboys and Indians , comprising ten works Signed by the artist and dated, lower left on recto Printed by Rupert Jasen Smith, New York Published by Gaultney, Klineman Art, Inc., New York Edition 67 of 250 91.4 x 91.4 cm Exhibitions (corresponding editions) London, Halcyon Gallery, Warhol/Mauro , July 19-September 15, 2012 London, Halcyon Gallery, Pop Icons, September 21-November 30, 2012

Literature Frayda Feldman and Jörg Schellmann. Andy Warhol Prints. A Catalogue Raisonné 1962-1987 (New York: The Andy Warhol Foundation for the Visual Arts, Inc., et. al., 2003), II.378, pp.154-155 (illustrated)

AWA-LIT-POR-21136

ANDY WARHOL (1928–1987) Tattooed Woman Holding Rose , 1955

Offset lithograph on pale green onion skin paper Bears the stamps of the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, on verso; annotated with the Andy Warhol Art Authenticity Board number 74 x 28.5 cm (29.1 x 11.2 inches) Exhibitions London, Tate Modern, Pop Life: Art in a Material World , 1 October 2009–17 January (exhibition later travelled onto: Hamburg, Hamburger Kunsthalle, 15 February–9 May, 2010; Ontario, National Gallery of Canada, 11 Jun–19 Sept 2010), (corresponding edition)

London, Halcyon Gallery, Warhol/Mauro , 19 July – 15 September 2012 (corresponding edition) London, Halcyon Gallery, Master Editions , 19 September–10 November 2013 (corresponding edition)

Literature Jack Bankowsky, Alison M. Gingeras, Catherine Wood (eds.), Pop Life: Art in aMaterial World (London: Tate Publishing, 2009), p.23 (illustrated) Germano Celant, Andy Warhol: A Factory (New York: The Andy Warhol Foundation for the Visual Arts, 1999), no.9 (corresponding variation, illustrated) Halcyon Gallery, Master Editions , Vol. II., exhibition catalogue (London, Halcyon Gallery, 2013), pp. 104–105 (corresponding edition, illustrated)

AWA-LIT-ABS-21427

ANDY WARHOL (1928–1987) A Whole Stocking Full of Good Wishes , 1956

Offset lithograph on paper Aside from the portfolio Shoe and Leg , c. 1955 Inscription by Warhol’s mother, Julia Warhola Bears the stamps of The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, on verso; annotated with the foundation number PM16.0611 , on verso 56.2 x 23.3 cm (22.12 x 9.17 in.)

Exhibitions London, Halcyon Gallery, Shoes and Bags , July 30–September 28, 2008 (corresponding edition) London, Halcyon Gallery, Master Editions , September 19–November 10, 2013

Literature Frayda Feldman and Jörg Schellmann (eds.), Andy Warhol Prints. A Catalogue Raisonné 1962-1987 , fourth edition, revised and expanded by Frayda Feldman and Claudia Defendi, (New York: Distributed Art Publishers, et al., 2003), See: IV.85. pp.338 Halcyon Gallery, Master Editions , Vol. II., exhibition catalogue (London: Halcyon Gallery, 2013), pp. 116–117 (illustrated)

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