Alcalá 1984

THE ALCALA '84 STAFF If onyOM told ,,,. that I would tJ. -,,.,,ding my junior y.ar Nlltg ,,,. Hltor of,,,. y.art,oolt I would haH loUflhH. No way, I lltouflht, lhMry lmlth wo• • .,,,,.d to N ,,,. «Jltor. It tum«I out Htot .,,. wont.ti to -,,.nd o y.ar conc«tfrating on u:hool •o ,,,. Job wo• vacant. In o mom«tf of UtHr ln.anlty, I w.,,, tor It ond got It. ,,,.,. wo• ~ nothing to pnpmw ,,,. tor fttU Job. Y••,I hod ,,..n ,,,. editor ofmy high u:hool y.art>ook. Y••, I did wort on ,,,. y.arboolc •toff,,.,..

andMlc"'-1 Fowllt•• did hi• tJ.•t to try to Mlp IM. It •tUI wa• o totolly ,,.w ••~- WIHHt I tint (IOf ,,,. Job, Or. llrant»•, d«ln of ,,,. grodUOM u:hool, told ,,,. to molt• •u,. I ~t my~· •trolght. I Htought I did, but y.arboolc alway• ... ~ to Nat out my cknN•. DfHJ#cotlng myNlf to producing o (IOOd y.atl>oolt wcu ~t on -,,otlono/ Inv••'· ,,,.,,,. I teOlly coted about my /ob. Follow#n(J In ,,,. too,.,.,,. of IM/cha.l Woy,,. Anth, ony 1owllt•• wo• o to.it In ltHII. umi.r hi• odmlnl•· ttot#on, ,,,. Y"""'°"" placed fht In ,,,. Am.rlcon lcholo•ttc Pteu A••oclotlon cont••'· It ol•o •old·out In ,,,. boK offlc• and hod O t»C.,,f~f t»flcff. r,,.,, OflOln, what do you ex,,.ct from o bu•I,,.•• ma/Or, Wort bef1on In .arty •ummer. I managed to put tooe,,,., o c»c•nt •Iott and, with ,,,. help of my co, fldlton, w• turned out o,,. g,eot book/ Not that w• didn't hav• any problem•. O.Odll,,.• "-corM a,. mo•t non-•1tl•,.,,, and I om now probably o• -'cit of deollnfl with ,,,. 60 club• on compu• a• Shown O'Heom. $pence w-,.,., ..,,, olmo•t o• much tltM In ,,,. y.art,oolt otflc• a• I did. W• hod o g,eot tltM :::£ to prlnt hundted• ofplctutw• ,,,. doy tJ.lortl o . IIM. W• •-,,.clolly Mjoyed looking tor Mgoflv•• which dl•oppeoted Into ttt. "block void" of the dattroom. What con I .ay, Spence, I couldn't hov• ""'- It without you/ Paulo Dobin and lu.. ~rd w•r• both port of,,,. #Nw York tole• ov., of ttt. yea"'°"" office. With fhrH #Nw York.,. on,,,. •Iott, how could w• (JO ""°""" U.O llo.a"'• and Tony John•on w•r• ,,,. two "In· vl•lble hand•" of ,,,. •Iott. r,,.y •toyed In the bock· tJrOUl'fd, but mot» •u,. that the bu•lne•• .,,d of ,,,. ytlOtf>oolt w.,,, o• vnoothly o• poulble. Kottt.,t,,. '°'7'and wo• ol•o MHnewhot lnvl•lble, but, turned out to N o great trouble •hoot.r. You guy• w.,• g,eot and, Tony, I •w.ar I'm not ongry at you/ Mory Froncl• and Don Ponn,., we,. ,,,. •wHf· ~ of,,,. •faff In mor• way• Hton oM. How you did,,,. lrtt»1t I don't know. Thanh tor being,,,.,•. A -,,.Clo/ thonh to all thoN •Iott rMmNn who •luck with u• through thick and Htln, and -"owed up w,,.,, w• ne«ltld ftHlm ,,,. mo•fl ..,,,nd ,,,. •c•,,.• w• owe o great d«II of Htonh to: larbora lchlmtz, our odvl.or, tor all her wpport and .,,thu•lo~: Ed Shoen of Jo•,.,,•' tor beln(J M, Mlptul and undentandlng; and to Sue Wolt.r, of Varden Studio•, tor .avlng my llr. mo,w than one•. W• can't torgt,t Mohammed and all thoN at Loma'• who groclou.ty .mployed mo.t of our •faff at OM ,,,,,. or onott,.,. And lo•t but not teo.t, Jon, tor put. ting up with my IManlty tor ,,,... fH#I ,.w mon,,,._

Mary Marlcovlnov/c . «lltor,/n,ch,.I