Piql Book of References

Polish Masters of Photography Case studies

Of particular value and interest for the photographers was the migration-free quality of Piql’s technology.

Photographs are an irreplaceable way of telling the stories of the past events, serving as proof and tes timony. Piql’s unique longevity for digital files, provides a unique chance for the legendary snapshots to be preserved for the far future for the benefit of gener ations. Enabling a future built on the knowledge and understanding of the past. BACKGROUND Bodgan Dziworski, born in 1941 is a cinematographer, director and photographer. Author of approximate ly 40 short, medium-length and feature films as well as a number of exhibitions and publications, he is a member of the Polish Filmmaker Association, ZAIKS and an honorary member of The Association of Polish Art Photographers. Tomasz Sikora, born in 1948, is an award-winning pho tographer and well-respected artist of theatre and film posters, book illustrations, over 60 self-published books and has produced works for European and American advertising agencies. He also won the title of the best advertising photog rapher in Australia where he lived for many years. As a commercial photographer he has worked for Sher aton, Intercontinental, Singapore Airlines and Reebok. Jacek Poremba, born in 1966, is a professional photog rapher specialising in fashion, portraits and advertis ing photography. In 2001, Poremba travelled to Sudan and began his authored projects: “portrait” and “land scape”. Through careful time management, Porem ba successfully reconciled artistic photography with commercial work. All three artists have had a tremendous impact on the Polish culture and left a standing mark on the history of Polish photography. FOR MORE INFORMATION, CONTACT US AT: E office@piql.com W www.piql.com

In order to keep their collections accessible and safe, photographers often have to transfer their pictures from one drive to another, as the mediums age and become obsolete. This is reminiscent of the classic photography medi ums, where once the picture is printed it remains in its original form, a treasured memory or an important moment. THE FUTURE When asked about the feelings accompanying such an event, Jacek Poremba said: I felt very excited when I selected a photo from my archive for over thirty years for the Piql project, this choice determined the awareness that someone could see it in a few hundred years ... As a rule, when we create anything, we do not think about it in such a distant future, Piql gives such op portunities ... Nowadays, it is easy to interfere and change the original digital record, and this technique of archiving on photosensitive tape also guarantees that for the entire period of its storage, there is no possibility of making any changes to the saved imag es and this is also its invaluable advantage. Professor Dziworski considered it a great honour for him to participate in such a project. He will provide piqlFilm reel to the Dean of the University of Kato wice for storage into the new century. Mr Tomasz Sikora was not only happy about the re cording of his pictures on piqlFilm, but also the cate gorisation of his collection which was included in the process. Piql Poland’s CEO Jędrzej Sabliński, said: “We are very happy that such famous photographers have decided to archive their artistic achievements, having appreci ated Piql’s technology, as well as the great idea which stands behind it. So that the next generations of peo ple sensitive to the art of photography can marvel at their work” There are many iconic pictures around the world, all kept in the depths of internet and the artist’s personal collections. “

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