Table of Contents Table of Contents
Previous Page  26 / 68 Next Page
Information
Show Menu
Previous Page 26 / 68 Next Page
Page Background

Shakycam, motion sickness, fake documentaries, paranormal activity and cleverly

disguised special effects – the prolific found footage genre comes with its own set of

rules and clichés, and it's not all about horror movies.

Words

Scott Hocking

WHAT TO EXPECT

If you watch a lot of horror films, you'll already

be overly familiar with this ubiquitous genre –

and wishing it would go away. But if you've yet

to experience a found footage film, then read on.

The MO of found footage films is to attempt

to convince us that what we're watching is real

– shot by people like us on handheld cameras.

These people are generally never seen or

heard from again, with the surviving footage a

record of their possible fate, hence the format's

popularity with the horror genre. And since we're

meant to be watching an authentic account

of the events that transpired, there's often a

disclaimer at the start regarding the source of

the recovered footage – and no opening credits

or music score.

Although a lot of found footage films are

produced by major and independent studios,

don't expect high production values or A-list

actors – or a script, in the some cases. These

movies are intended to look rough in order to

heighten their verisimilitude, and that means...

shakycam! Yes, the cinematography is all

over the place and highly discombobulating,

but when you're being chased by a monster,

filming an exorcism, or being eaten alive by

cannibals, proper framing and lighting isn't really

a consideration. The common complaint with

found footage movies is that they induce motion

sickness, especially when viewed on a massive

screen, so if you suffer from

this affliction, be warned or

stay away.

Found footage films also

favour a lot of POV shots,

especially if the protagonist

is the one with the camera.

Generally, however, the

faux documentary format

is favoured to allow a more

mixed perspective. In some

cases, you'll find yourself

questioning who is actually

holding the camera, or

where some of the footage

has come from, when none of the participants

were present. That's where news bulletins,

surveillance and security cameras, and CCTV

footage comes in handy to fill in the gaps. Night

vision is also popular and can be incredibly

effective when it's used properly, or reduce

everything to a fuzzy green blob on the screen

when it's not.

Expect to hear lines like, "Are you still

shooting?" and "Turn that camera off!" (cue

black screen), and despite whatever mayhem is

engulfing them, the characters will keep shooting

right up to the very end – especially if it's an

ambitious documentary crew determined to get

the money shots at the cost of their own lives.

Found footage films are cheap to make, and

if filmmakers get it right, the result can be a

box office goldmine. The most famous example,

The Blair Witch Project

, was shot for a measly

US$60,000 and went on to gross US$248 million

worldwide.

Paranormal Activity

was made for

even less ($US11,000), netted a global return

of US$193 million, and spawned a successful

franchise. So it's easy to understand why there

is a multitude of these films, although very few

do that kind of big business.

WHERE TO START

"In October of 1994 three student

filmmakers disappeared in the woods

near Burkittsville, Maryland, while

shooting a documentary... A year later

their footage was found." That footage

became

The Blair Witch Project

(1999) – the movie that popularised the

found-footage format, but not the first

film to use it. (That honour goes to the

notorious

Cannibal Holocaust

(1980),

but more on that later.) Start here, but

bear in mind it's a polarising film – many

have declared it to be a masterpiece

and the scariest film ever made, while the less

impressive have dismissed it as amateur rubbish.

Whatever your opinion, you have to acknowledge

its profound influence on found footage

filmmaking and the horror genre.

Sequel

Blair Witch

(2016) is a more

professional production but retains the raw,

handheld technique that worked for the original.

Ideally, watch both Blairs back to back.

In Spanish horror film

REC

(2007) – as in

RECORD – a routine assignment documenting

a night with the Barcelona fire department turns

into a nightmare for a reality show host and her

cameraman, following an emergency call to an

BEGINNER’S

GUIDE

#10 -

FOUND FOOTAGE

Popularised by

The Blair Witch Project

in 1999 and a staple of the

horror genre ever since, the found footage format attempts to convince

us that what we are seeing is real, forsaking technical proficiency for

raw immediacy through handheld camerawork. A cheap, often effective

and sometimes extremely profitable brand of filmmaking, found footage

has run rampant over the last 17 years.

visit

stack.net.au

26

jbhifi.com.au

JANUARY

2017

DVD&BD

FEATURE

[Note: Not all titles discussed are available on DVD and Blu-ray. Check the JB website.]