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ST EDWARD’S CHRONICLE
Footloose
By Neville Creed, Director of Cultural Activities
Audiences battled through snow and ice in March to enter the
heart-warming world of last term’s major production: the dance
musical
Footloose
. The vibrant rhythms and catchy melodies of this
popular musical were delivered with dynamism and expertise by
a cast of 40 and the icy blasts were soon forgotten. Whilst there
were exceptional solo performances, the lasting impression is
one of a superb ensemble performance. The stage was filled with
large song and dance ensembles delivered with great precision and
unanimity by the various combinations of performers. Lisa Elkins
(Director and Dance Director) together with Dennis Victory
(Choreographer) conjured epic dance sequences which captivated
the capacity audiences whilst Alex Tester (Musical Director) and his
band made sure that feet were tapping throughout.
To be able to sing, dance and act as well as working as a team
is a rare skill but one which seems to be common at St Edward’s.
Will Monks (Ren) convinced the entire audience of the benefits of
dancing and Lola Willcock (Ester) displayed wide-ranging skills. Selena
Thompson (Ariel) beguiled her way into the hearts of all while Harry
Whattoff (Rev Shaw) sustained the element of serious drama until
he too couldn’t resist the rhythmic drive. Katinka Hughes (Vi) sang
with superb precision while Matthew Wilkins (Willard) provided
well-timed comic elements. Sassy Hammersley (Rusty), Ayo Sule
(Urleen) and Ruby Smith (Wendy) blended into a harmonious trio as
well as delivering strong solos. Fergus Flory (Chuck) was a convincing
bad boyfriend while Sebastian Williams cut a dash as Cowboy Bob.
However, all these performances, although excellent, were only
significant in the context of a unified cast working together to produce
a performance of brilliance.
Musicals are complicated and extensive support is needed. Lucy
Baddeley and her team of wardrobe assistants provided a dazzling
array of costumes; Rebecca Welburn with her team of stage managers
delivered the technical aspects with great skill and John Paul with
his group of lighting and sound designers gave the performers a
professional edge. This will undoubtedly be remembered as a triumph
and one of the best productions from a long line of excellent musicals
performed at St Edward’s.