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25

COOLER PLANET, COOLER CULTURE

Music festivals, rock concerts and other events have the power

to inspire huge audiences towards taking positive action in the

fight against climate change. At the same time, those events

themselves can leave a considerable carbon footprint, as they

often involve flying artists to the venue, powering high-voltage

lighting and visual effects, and dealing with the food, drink and

waste needs of thousands of fans.

So a growing number of cultural events are embracing the

climate neutral concept. It may be an easy slogan to describe

your event as climate neutral, but it presents tough choices

about where to “draw the line” around your own impacts,

and how far to go with really greening the event itself, rather

than relying on offsets to compensate for an energy-intensive

spectacle.

Live Earth, one of the original “green” music events, is a

participant of the Climate Neutral Network. The organization

has continued to stage events and advise others, following

on from the worldwide series of synchronized concerts in

July 2007. That event, inspired by former US Vice-President

Al Gore and music producer Kevin Wall, involved concerts in

11 locations on all seven continents, and was broadcast in 132

countries, making it the most watched online entertainment

event ever.

Since action against climate change was the rationale for

the event itself, clearly the exercise of climate neutrality has

been an important priority for Live Earth. It has produced a

set of Green Event Guidelines that provide a practical guide

to minimizing and offsetting climate impacts for other event

organizers, and these have been updated to include athletic

events as well as concerts.

Live Earth’s general manager, Catherine Geanuracos, says a

key challenge is to work out where the boundaries are drawn

around the impact of the event itself, to avoid making claims

that cannot be substantiated.

“Carbon neutrality can only be implemented in those areas

where the event has direct impact, such as audience and artist

transportation, energy use, waste creation, and water usage,”

says Geanuracos. “Full carbon neutrality is a difficult concept

to achieve, as the purchasing impacts of events are profound,

and until every product used comes with its own impact

assessment, it will still be difficult to understand and account

for the full carbon impact of purchased goods,” she adds.

But Geanuracos says the real impact of events like Live Earth

must also be measured in the positive effect they can have on

the subsequent behaviour of their audiences: “We’ve seen

repeatedly that participating in Live Earth events has inspired

people to change their lives at home, work and school, to be

more sustainable. In particular, we’ve heard from our audience

that they’ve made changes in their transportation habits,

buying habits, and recycling behaviour after participating in

our events.”

“We’ve heard from our audience that

they’ve made changes in their trans-

portation habits, buying habits, and

recycling behaviour after participat-

ing in our events.”

—Catherine Geanuracos, General Manager,

Live Earth

The ability to inspire audiences to make long-term changes is

at the heart of the rapidly growing Greenfest event in Brisbane,

Australia. Originally inspired by the Live Earth concerts of 2007,

it is a three-day festival of music and a showcase for practical

measures for greater sustainability—the June 2009 event

attracted 60,000 people.

According to Greenfest’s founder Colman Ridge, “The purpose

of Greenfest is to promote a ‘Cooler Planet Culture’. Carbon

neutrality is expected of us. Our ability to network our 200

plus exhibitors and a broader network to help each other

and others reduce their footprint has become a year-round

opportunity for us to assist acceleration of the lower carbon

economy.”