Table of Contents Table of Contents
Previous Page  70 / 101 Next Page
Information
Show Menu
Previous Page 70 / 101 Next Page
Page Background jbhifi.com.au

018

SEPTEMBER

2017

visit

stack.com.au

DVD&BD

FEATURE

of death. And then on top of that you

have massive skyscrapers; a millennia

of history to draw from and a wonderful

collision of tones all over the place, no

matter where you look.”

Ahmanet’s tomb is also a unique

addition to Mummy lore in that her

sarcophagus is submerged in a

well filled with mercury – a detail

Kurtzman discovered when researching

Egyptology, its totems and magic.

“One of the things that really struck

me was the idea that in some ways,

mercury was like Kryptonite to evil –

they believed it repelled evil. To me,

that was such an interesting visual.”

 Horror fans will find plenty to enjoy in

The

Mummy

– as well as the obvious connection

to the eponymous monster and its long

screen history, there are nods to several other

horror classics.

Kurtzman notes that

while Boris Karloff’s

original 1932

incarnation of The

Mummy was the

biggest point

of inspiration,

both he and Tom

Cruise watched a

film per day during

preparation in order to

find the right look and

tone for their version.

“We watched a lot of

Hitchcock – 

The Birds

,

Psycho

,

Vertigo

… just

in terms of rhythm

and style and the way that Hitchcock would

build suspense. No one has really come close

to matching that kind of brilliance – we took a

lot of inspiration from that,” he says.

The Exorcist

was also a big influence,

especially in the scenes where Cruise’s

soldier of fortune uncovers an ancient evil

buried in the desert of the Middle East. “That

was a big one for texture and tone,” adds

Kurtzman. “You look at the first eight minutes

with Max Von Sydow in Iraq and there’s

almost no dialogue there, but

you’re immediately immersed

in that world and experience

a deep sense of dread.”

The Mummy

is out Sept 6

Boris Karloff’s emergence from

the tomb back in 1932 has since

brought a collective cry from

Hollywood and audiences alike:

“I want my Mummy!”

THE MUMMY

Elegant 1959 Hammer Horror version in which

Peter Cushing desecrates the 4,000 year-old

tomb of Queen Ananka and faces the wrath of

Christopher Lee as Kharis the Mummy.

BLOOD FROM THE MUMMY’S TOMB

Hammer Films’ atmospheric adaptation of Bram

Stoker’s 'Jewel of the Seven Stars' is the first and

the best. Later remade as

The Awakening

and

Bram Stoker’s Legend of the Mummy

.

DAWN OF THE MUMMY

A fashion shoot disturbs the tomb of evil pharaoh

Safiraman. Taking their cue from George A.

Romero, his army of zombie servants rise from the

dead to devour the flesh of the living.

DOCTOR WHO: PYRAMIDS OF MARS

They might look like chunky mummies but, as

Tom Baker’s Doctor discovers, these bandaged

Egyptians are actually the robotic servants of the

evil Sutekh the Destroyer.

Tom Cruise with Russell Crowe

as Dr. Henry Jekyll

[London is] a city literally

built on centuries of death

[

The Mummy

] is the first

film in what Universal

is now building, called Dark

Universe, which is dedicated

to the Universal Monsters,” Alex

Kurtzman explains. “They take great

pride and call them ‘their’ monsters

because the studio is literally built

on those monsters – Dracula,

Frankenstein, Creature

from the Black Lagoon,

Wolf Man… Those

are the films I grew

up loving as a kid, and

the idea was to give

the audience a really

satisfying Mummy

movie, but also

to open that

door and give

them a peek at

what’s behind

it. We’ve really

only begun to

tease what’s there,

and there’s some

deliberately open-ended questions

at the end of the film. The Prodigium

and Doctor Jekyll will return.”

Kurtzman and his producing

partner Chris Morgan will be

involved in future Dark Universe

films, which will include

Bride of

Frankenstein

, directed by Bill Condon

(

Beauty and the Beast

), as well as

the return of The Invisible Man and

Frankenstein’s Monster, played by

Johnny Depp and Javier Bardem,

respectively.

News of Condon’s involvement in

Bride of Frankenstein

is particularly

exciting given he has such passion

for the material, having helmed

the James Whale biopic

Gods

and Monsters

(1998) starring Ian

McKellen.

“It feels like he was put on this

earth to do that,” agrees Kurtzman.

“He’s the perfect director for it, so

I’m really excited to see what he

does with it and how he evolves it.”

MORE

MUMMY

MADNESS

BUILDING A DARK UNIVERSE