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P A T R O N S A L U T E | L Y R I C O P E R A O F C H I C A G O

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N O V E M B E R 1 7 - D E C E M B E R 2 0 , 2 0 1 4

Oscar Tatosian:

A Storied Leader

For long time Lyric patron and newly-elected President of the Guild Board

of Directors, Oscar Tatosian’s journey to becoming an opera lover started

as a social engagement. “I credit the young professionals group for getting

me involved at Lyric Opera. We would get together at a local restaurant

before the performance, have a meal, and maybe learn a little bit about

opera, too.” He speaks of the Auxiliary Board (now known as Lyric Young

Professionals), which was formed in the late 1990s by a group of likeminded

young adults who assembled their friends for opera-focused gatherings

aimed at engaging the next generation of Lyric supporters. “What was

great about that group was that the members would educate themselves

on a subject and give pre-opera lec-

tures for their peers.” He also fondly

remembers the “crazy nights” out-

side of the traditional opera outings:

Lyric Lounge Nights, a fundraising

project of the Auxiliary Board, and

board-hosted tables at the Opera

Ball, which were the place to be for

young twenty-somethings looking

to have a good time and support a

worthy cause.

All of those social get-togethers

eventually got Oscar completely

hooked on opera. “From the begin-

ning, I was taken by the stories of the

operas. They’re very basic, but they

had a lot of meaning for me – boy

loves girl, and her daddy says no, or

rich boy marries dancer; all of these

family issues. They’re so simple, but

so timeless. Now I focus on the

voices more, but the stories are what

captured me. We’re human, and it’s

very natural to connect with other

people’s life experiences.”

It wasn’t long before Oscar

became an active member of Lyric’s

leadership, joining the Guild Board

of Directors in 2006 and serving

as

Fantasy of the Opera

Chairman

before being elected President in

2014. When asked about his goals for

the Board during his tenure, he says he wants “to build an energized, cohe-

sive team of dedicated members serving Lyric.” Oscar’s presidency comes

at a time of great opportunity for the Guild Board to grow as advocates for

Lyric Opera of Chicago. He hopes to tap into the unique aspects of Lyric’s

framework which originally engaged him with the company: “If I go back to

my earliest days [on the Auxiliary Board], it was learning about the operas

themselves, the stories, the creation, the context – if we can do that, it’s a

shortcut to success.” Oscar would also like to see the Guild Board support

Lyric’s wider mission to be more relevant and diverse. He lauds Anthony

Freud’s leadership and the efforts of Lyric Unlimited in reaching out to new

audiences and communities, citing

The Second City Guide to the Opera

and the recent and upcoming mariachi operas – and their accompanying

community partnerships – as essential to the livelihood of the company.

“That’s exactly the right effort; now the Boards should embrace and imple-

ment initiatives such as these.”

A first-generation Armenian-American born and raised in Wilmette,

Oscar and his brother run the family business, Oscar Isberian Rugs, found-

ed by Oscar’s grandfather in 1920 as Chicagoland’s premier Oriental Rug

retailer. With a strong company history of integrity and an appreciation for

beautiful things, old and new, it was

only natural that Oscar found grand

opera appealing. “I’ve come to the

realization that in almost any sig-

nificant milestone in one’s life, some-

how music is involved. Whether it’s

a wedding, a funeral, graduations,

any type of festive occasion, there’s

music; it allows you to get out of

your mind and into your soul.” He

distinctly remembers other musical

influences marking his early years,

such as a visit by famed Armenian-

Russian composer and conduc-

tor Aram Khachaturian, whom his

grandparents hosted in their home

during a culturally significant United

States concert tour in 1968. Oscar

himself, who is active in the national

Armenian community, has con-

tinued to show interest in classical

musicians visiting from his home

country, organizing an outing to

support Armenian conductor Alain

Altinoglu when he was performing

Carmen

at Lyric in 2010.

As an advocate for Lyric, Oscar

loves to bring new people to the

Civic Opera House. “One of my

favorite things is taking a friend to

the opera and seeing the magic

happen; to see them really awed.

Some of the best moments come when I’m being an ambassador for

Lyric, because I know it impacts my guests, and sharing that with others

is really special. It’s like a great little world within this world. I’m privileged

to be associated with Lyric Opera.” And we are honored to count Oscar

Tatosian as one of Lyric’s staunchest supporters, sharing its vision of being

a diverse, relevant, and culturally significant contributor to our great city.

Lyric Opera of Chicago’s story is richer because of him.

Meaghan Stainback