Table of Contents Table of Contents
Previous Page  6 / 36 Next Page
Information
Show Menu
Previous Page 6 / 36 Next Page
Page Background

A

throwback to the classic road movies of the ‘70s,

Mississippi Grind

tells the story of Gerry (Ben

Mendelsohn), a loser who is sure the next big score

is right around the corner, and Curtis (Ryan Reynolds), a slick

gambling pro who convinces him to join him for a crack at high

stakes game.

Mendelsohn says he played a considerable amount of poker

to prepare for the role – at some personal expense.

“We played many thousands of dollars worth of cards to

get ready," he admits. “We played in a proper casino for proper

money almost every night as we got ready, and a lot of nights

during the shoot. I met some fascinating people-real-life, serious

lose-all-the-money gamblers. I was doing really well at first, but I

ended up taking a bath. And then I stopped.”

One of the perks of the job was visiting the little-known

towns along the river, in parts of the US that the Australian

actor had only heard or read about. “She's so big, America,” he

marvels. “I haven't scratched the surface yet. I wish I'd gotten to

stay a bit longer.”

As well as

Mississippi Grind

, Mendelsohn stars in the TV

series

Bloodline

, which is also out on DVD this month.

visit

stack.net.nz

EXTRAS

NEWS

06

jbhifi.co.nz

MAY

2016

EXTRAS

n many ways, the development cycle

of

Homefront: The Revolution

mirrors

the tumultuous events of the game

itself: there’s no doubt that Dambuster

Studios have truly weathered a storm getting the

game to market.

“The road has been a little bumpy," admits

narrative designer Stephen Rhodes. "But it feels

really good to finally have completed it and to

soon get it out there for everyone to play and

enjoy. That’s what any developer really wants; to

see their hard work being enjoyed by gamers. It’s

why we do what we do.”

H:TR

is billed as a reboot rather than a

successor to

Homefront

, a game released back

in 2011 and lambasted for its short campaign.

Recognising an opportunity to impress its own

vision on the game, the team at Dambuster

rewrote the backstory in its entirety.

“We knew that everyone was really into

the concept of an occupied America and the

alternate history angle of the narrative. These

are themes that few games have explored; some

have, like the Resistance series, but it’s still

quite an unexplored space,” Rhodes explains.

“Despite these two core themes being popular,

the context and execution given in the first

Homefront didn’t go down so well.

“What we did for

H:TR

was go right back

to these core ideas and rebuild from there.

It doesn’t share characters or timelines, we

ditched everything and rewrote the backstory

and took our time creating a world stage where

the USA being occupied by a Korean military

force was plausible. The only real similarity

that

H:TR

shares with the

first game is that one core

concept.”

Paul Jones

Homefront: The

Revolution

is out on PS4,

Xbox One and PC on May 20.

Visit

www.stack.net.nz

for

the full feature.

TALKING ‘BOUT

A REVOLUTION

Homefront: The Revolution

is

an open world reboot with a

whole new back story.

A

s one of the pioneers of folktronica, Beth Orton is

no stranger to the world of electronics.

But for her latest album

Kidsticks

, she was

keen to return to return to more dance-oriented roots of her

first recordings with producers such as William Orbit and

Andrew Weatherall.

Orton tells

STACK

she enjoyed going back to

experimenting with electronic loops in the studio.

“When Andy [Hung, co-producer] and I got in the studio I

had no preconceived ideas of what would happen in there,”

she says. “I played the synth and as I did so Andy would be

on Massive going through presets. As he went through the

sounds we would egg each other on. Sometimes my husband

would pop by and he’d hear these insane, loud sounds

coming from the garage we were working in, and then on

entering he’d find us giggling like kids whilst being all British

and polite to each other at the same time: ‘I quite like that’

and so on.

Kicksticks is also informed in part by the wide-open

spaces of her new home in Los Angeles. “I was driven by the

energy of the music and the energy of changing counties.

Moving to LA had a propulsion and

an excitement, and I needed to shake

things up. I didn’t start the record with

that expectation but looking back I

needed to shift energy in my life and in

my body.”

Zo

ë

Radas

Kicksticks

by Beth Orton is out on May 27; check out

www.stack.net.nz

for the full interview

BLOCK ROCKIN' BEATS?

Beth Orton on exploring a more rhythmic vibe on her album LP

Kidsticks

.

Preparing for his role in

Mississippi Grind

Ben Mendelsohn had about as much luck

at gambling as his character.

ROLL THE DICE!

I