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new products

Included in this release is a new visual OMA setup tool that

facilitates reconfiguration of the oscilloscopes and coherent

receiver front-ends so that the same hardware can be

used for many different applications like PAM4 research or

increased channel count in DP-QPSK testing.

The need for multi-channel coherent research is growing

with the use of spatial (or modal) division multiplexing

that requires an OMA to down convert and digitize data

for each channel. Multi-carrier communication applications

also require one OMA per wavelength channel when the

wavelength separation is more than the OMA bandwidth.

Pricing and availability

The new software will be available for download by the end

of 2016. For details on the full range of Tektronix Coherent

Optical Solutions, go to:

http://www.tek.com/application/

tektronix-coherent-optical-solutions.

Wondering what else Tektronix is up to? Check out the

Tektronix Bandwidth Banter blog and stay up to date on the

latest news from Tektronix on Twitter and Facebook.

Mastering station from Rohde & Schwarz

looks to the future with HDR, floating point

processing and enhanced IMF workflows

The new software release of the R&S CLIPSTER mastering

station from Rohde & Schwarz provides an expanded

tool set for high dynamic range workflows, enabling more

flexible color processing. Both Dolby Vision and HDR10 are

supported. IMF subtitles and compositing directly on the

timeline simplify localization workflows. Rohde & Schwarz

has enhanced its multiple award-winning, complete solution

by adding these and many other new features tailored to

the needs of post production and content distribution.

R&S CLIPSTER has established itself as the complete

mastering and deliverable solution for premiumcontent. The

new functions allow content creators to master their films

and TV content more quickly and reliably. The superiority

of R&S CLIPSTER is especially evident in productions with

higher resolutions, higher frame rates and enhanced colors

(bigger better pixel): the new floating point processing

enables color management in realtime up to 4K.

R&S CLIPSTER 6.1 has extended the IMF feature set

to include localization of subtitles. And the new alpha

compositing feature enables data such at title sequences

and text clips in multiple languages to be easily exchanged

directly on the timeline. Content that has been mastered

for a specific region can now be modified for worldwide

distribution. Support of Dolby Vision and HDR10 metadata

in IMF (PQ, SMPTE2086) allows content to be delivered

for all current HDR consumer standards. R&S CLIPSTER

has integrated the new HEVC and ProRes 444 XQ formats

for delivering content in the high resolution high dynamic

range (HDR) and wide color gamut (WCG) formats. The

additional output of audio via HDMI simplifies quality

control.

One highlight of R&S CLIPSTER 6.2 is the enhancement of

the HDR workflow to include image processing with floating

point processing. This enables the wide dynamic range

of the HDR material to be precisely converted. Rohde

& Schwarz has succeeded in importing a high-quality

master such as a linear OpenEXR file and rendering it in

the output color space with the appropriate quantization

(12-bit PQ/SMPTE ST 2086). This is necessary in order

to meet the constantly growing HDR color management

requirements. R&S CLIPSTER 6.2 takes the next step

toward a flexible HDR mastering solution. In addition,

an optimized architecture and the accelerated hardware

enable image processing in realtime up to 4K 120p. Other

features include support for the Avid DNxHR® codecs and

the ability to process HDR metadata for Dolby Cinema.

Stephen Birdsong, Product Manager Post Production

Solutions at Rohde & Schwarz says: “We have worked

very hard on making R&S CLIPSTER what it is today –

the standard for DCI and IMF mastering. The system

is extremely versatile in post production and supports

numerous workflows. Users appreciate the absolutely

reliable playback over professional display interfaces as

well as the realtime, timeline-based image processing. Post

production providers rely on this proven solution to meet

the high delivery requirements for film and TV productions.”

The new version of the R&S CLIPSTER 6.1 mastering

80 l New-Tech Magazine Europe