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INTRODUCTION

Orleans. There he dipped into his money bags and opened

a barroom which the preface to his literary work describes

as a very recherche establishment. But he soon became dis

couraged,for his heart was in the preparation of cold weather

beverages, and there was scant demand in Louisiana for

the Blue Blazer and the Tom and Jerry. He soon sold his

New Orleans property and returned to New York, where

he was immediately engaged as Principal Bartender of the

Metropolitan Hotel, then under the management of William

M.Tweed and a center of the city's night life, which in those

days was quite abundant. Professor Thomas celebrated

his return to the chilly North by mixing a huge punch bowl

of Tom and Jerry, which was given away free to all cus

tomers for a week,and by introducing several fine Southern

mixtures to the jaded palates of the principal men of Gotham.

Chief among them was the Crusta, a beverage of rare merit

which was first compounded by Santina, owner of a cele

brated Spanish Cafe in New Orleans.

When Professor Thomas began his experiments with the

cocktail, this splendid concoction, whose name is now daily

taken in vain by thousands of wierd mixtures in thousands

of American homes, was then the puling infant of the great

family of beverages, and had few friends and practically no

admirers."The cocktail," wrote Professor Thomas,"is a

modern invention and is generally used on fishing and

other sporting parties, although some patients insist that it

is good in the morning as a tonic." Indeed, at this period the

cocktail was not only a morning drink, an eye-opener, but

was seldom served over the bar; as Professor Thomas indi

cates, it was generally bottled and sold for trips into the

country and other expeditions. In the course of time it

became more popular, but as late as 1885 it had not become

the standard before-dinner drink that it was in later years,

and as it is now throughout this great land."In the morn

ing," said a paper called Under the Gaslight, in 1879,"the

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