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SEPTEMBER

2016

CINEMA

INTERVIEW

In 1960, director John Sturges gathered the leading men of the day for

the classic western

The Magnificent Seven

. Steve McQueen, Charles

Bronson, Yul Brynner, Robert Vaughn and James Coburn delighted

audiences as a group of gunslingers hired to defend an oppressed

Mexican peasant village. Now Antoine Fuqua has assembled a star-

powered septet to retell the same story, recruiting the likes of Denzel

Washington, Chris Pratt and Ethan Hawke to deal with the outlaws

who have brought a sleepy western town to its knees.

I

n keeping with Hollywood’s mandate to

bring more diversity to the screen, Antoine

Fuqua’s motley crew features actors of all

colour, including Denzel Washington, Byung-hun

Lee and Manuel Garcia-Rulfo. If it smacks of a

self-conscious colour-by-numbers approach, then

the director begs to differ.

“I thought about it and I didn’t think about

it,” he says when

STACK

meets with him at an

editing suite in Los Angeles. “When we were

discussing who the lead would be, we had

a list of the usual guys and I was in a room

with MGM and I said, ‘You know who would

be amazing as a lead like Yul Brynner? Denzel

Washington.’ And the room went quiet and

then everybody says, ‘You think he would do it

because he hasn’t done a Western before?’”

recalls the director, who got on the next flight

to New York to talk with his

Training Day

and

Equalizer

leading man.

“Denzel knows I love Westerns

and so we had lunch and talked

about it. And then from that point it

just opened up the floodgates to be

more diverse. I didn’t think about

it as colour. I just thought I needed

a powerful lead and colour was a

conversation that came after.

  “It’s a different world we live

in and, to me, the movie is about

terrorism and it’s going to take us

all to fight terrorism, so that’s what

this is. That group represents the

world today.”

The race card will play out regardless,

although Fuqua insists his own Magnificent

Seven are such mean killing machines, it will

render audiences colour blind.

“You’ll see a scene where we first meet

them in the bar – when Denzel goes into the bar

and the whole room goes quiet – and naturally

some people will think that's because it’s a black

man walking into a bar. But my thought was

that they look at all the Seven like that because

they’re all mean, tough men. And when those

guys walk in a room it's not about race, it's that

they’re afraid of these type of men, whether its

a Native American walking in or Denzel walking

in, or Chris Pratt walking in. They get the same

reaction. From everybody.”

Shot in Louisiana and New Mexico,

The

Magnificent Seven

was fraught with such

difficulties that Fuqua doubts he would make

another Western, having thoroughly got it out of

his system now.

“That old saying, ‘Be careful what you wish

for,’ comes to mind,” he smiles. “As a kid you’re

like, ‘I want to make a Western,’ and you’ve got

the guns and you’re playing and it’s fun and you

can go home and eat and mom is there and your

friends. You can quit whenever you want and get

mad at your friend and walk away because you

wanted to be the indian today.

“But the reality of filming is that horses do

what they want. I’ve had that experience before,

but this was a reminder. Having a big cast of

actors is challenging, every day. Filming it in a

place where it rains constantly, where your set

washes away, is challenging. Most of the time it

was over 110 degrees.” 

And his worst nightmare? “That’s got to be

a scene where we had hundreds of horses

storming down a hill and explosions

going off. Now that was daunting.” 

While Fuqua and Washington are

old friends, the director was thrilled

to introduce Pratt to audiences in

a different way to how we’ve seen

him before.

“I love Chris. Chris is charming,

he’s funny, but he has an interesting

depth in him that’s yet to be

discovered and I wanted to put him

with Vincent D’Onofrio and Ethan

Hawke. I wanted to see the young

star with all these guys and play

with that soup.”

To me, the movie is about

terrorism, and it's going to take

us all to fight terrorism. That

group represents the world today

Words:

Gill Pringle