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Not Near London

47

Anyway, when she is tired,

really tired, she can’t even

stand music. Not even

Bugz in the Attic, never

mind Jasper’s indie stuff.

The effort of selecting

something to match her

mood, the film in her head:

it is huge, sometimes, that

effort.

She looks at her fingers.

They are no one else’s

fingers. They’ve gone with

her all through her life, and

will carry on going with

her until she is old, which

is something that won’t

happen to her because

she is going to stay young

forever. Three years doing

art practice as well as

theory, and she still can’t

draw the five fingers on

a hand. They always look

like tentacles or soggy

chips or erect dicks. A

hand disguised as a chip

buttie. Her dad had the

same fingers, apparently:

long and slender.

The pencil just will not

cooperate.

Soon she’ll be desperate

for a piss and she hates loos

on trains. They wobble and

they stink. She’s had too

many wees today already.

She closes her eyes and

swirls away into slumber.

She is singing to some

people in a big open party

tent with a hammer drill

working next door. There

are about ten people

sitting there in smart kit

at the tables and she has

to duck under a flap in

the billowing sides of the

tent. Silky. She looks at the

words and wonders what

the tune should be: it is an

old-style song, an English

folk song, traditional with

a hand over its ear. What is

she doing, pretending she

can sing? The words are

stapled to the music and

the people are waiting.