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D

irector Paul Thomas Anderson always

leaves a lasting impression. Heir apparent

to the rambling multi-layer narrative

brilliance of Robert Altman, turning his hand to

a drug-soaked alternate universe presentation of

The Long Goodbye

seems a logical step.

Joaquin Phoenix is exceptional as the chain-

smoking stoner, ‘Doc’, asked by his ex to thwart

a kidnapping plot. As he carves his way through

two-and-a-half-hours of, at times, an unexplainable

mess of dope and mirrors, we completely feel his

groggy puzzlement. But like his character, we latch

on to moments that stick, excite, bewilder and

bemuse us with such nonsensical shock – it’s an

addictive joy.

Much like one huge long-night conversation

that when under the influence is remembered

via polaroid snapshot retention,

Inherent Vice

feels like a collection of ideas, moods, scenes

and imagery designed for sensory stimulation

and occasional cerebral indulgence following a

thin line of bread crumbs resembling a plot, not

narrative storytelling. Go with it and you’ll be

rewarded with a dreamlike excursion into author

Thomas Pynchon’s vision of post-‘60s ‘free love’

going down the toilet with a bullet, a needle, a

spoon, and the birth of organised corruption and

‘bad people’.

Paranoia and escapism as a defense mechanism

is what emerges here, with amazing offbeat

comedy punctured with poignant tragedy. Josh

Brolin’s bullish, heartbroken and militant cop,

‘Bigfoot’, complete with a phallic addiction, could

easily have walked out of a Coen Bros meets

Twin Peaks

universe. In fact, he steals the entire

film playing a man incapable of succumbing to a

higher consciousness; his post-war ‘work hard,

live clean’ world is being torn apart, his ideals

crushed, his spirit slowly broken. Meanwhile, not

too far removed from The Dude, ‘Doc’ floats on

through these people’s lives (including a bizarre

cameo from Martin Short as a pervy, drug-pushing

dentist, and Owen Wilson as a sax-playing,

ex-junky informant) following the White Rabbit;

it matters not if he finds it… perhaps that’s the

entire point.

Inherent Vice

is no

Boogie Nights

, nor a

slapstick

Big Lebowski

for that matter – it’s instead

an examination of society’s loss of innocence and

hope through the pot-tinted lenses of a free spirit.

Hey, it’s a gas!

Chris Murray

028

APRIL 2015

JB Hi-Fi

www.jbhifi.com.au

‘70’s pot-smoking cluedo, Larry ‘Doc’ Sportello, tries to unravel a bizarre

kidnapping which quickly becomes a conspiratorial behemoth involving an

ex-girlfriend, a property mogul, the FBI, Nazi bikers, drug-trafficking dentists,

endless hippies and a overzealous cop called ‘Bigfoot’. Yep, weird!

INHERENT VICE

RELEASED:

March 12

DIRECTOR:

Paul Thomas Anderson

CAST:

Joaquin Phoenix, Josh

Brolin, Owen Wilson

RATING:

MA15+

visit

www.stack.net.au

REVIEWS

CINEMA

ALSO SCREENING

IN APRIL

Marvel's mighty superhero alliance returns in the

biggest movie of 2015 (and likely to join the first

film as one of the biggest of all time). Fanboy

writer-director Joss Whedon is back at the helm,

which means this will be just as awesome as

The Avengers

. The titular menace that comes

of age is a dormant A.I. peacekeeping program

fired up by Tony Stark, which decides to eliminate

mankind, a la Skynet. Bring. It. On.

April 23

AVENGERS: AGE OF ULTRON

Skydiving cars. Destruction in Dubai. Exploding

houses. Kurt Russell. The Stath. "This time it ain't just

about being fast," growls big Vin Diesel. You better

believe him! Start your engines people.

April 2

FAST & FURIOUS 7

Middle-aged couple Ben Stiller and Naomi Watts

attempt to recapture their lost youth after befriending

twentysomethings Adam Driver and Amanda Seyfried,

in Noah Baumbach's new comedy.

April 16

WHILE WE'RE YOUNG

Sparks fly, of the romantic and Nicholas variety, in

the latest adaptation from the prolific author of

The

Notebook

. Expect passion and heartbreak between Britt

Robertson and Scott (son of Clint) Eastwood.

April 9

THE LONGEST RIDE