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088

JUNE 2015

JB Hi-Fi

www.jbhifi.com.au

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www.stack.net.au

COVER FEATURE

MUSIC

Florence + the Machine’s new album

How Big, How Blue, How Beautiful

is about learning to love life as you find it. By Jonathan Alley

I

magine being an internationally recognised

pop star at 21. Sounds great, doesn’t it?

The world at your feet, parties,

fame, travelling the world,

doors opening to corners of

possibility, of which teenage

you never dared dream.

The reality, of course,

is different. 21 year olds

(famous or no) have

plenty of living to do,

and plenty of life to

work out for themselves.

Doing that in the full

glare of public opinion

– particularly with the 100-

fold amplification of social

media turned on your life 24/7

– really isn’t that much fun.

Florence Welch, AKA Florence of

Florence + the Machine, knows about the

pitfalls of trying to live a private life in a

public world all too well. While Florence +

the Machine is a band (‘the machine’ was a

teenage in-joke shared with bandmate Isabella

Summers), the inevitable light of public attitude

shines lightest and longest on the woman who

shares the group’s name. After touring 2011’s

Ceremonials,

Florence went to ground for some

time; she changed her living situation, and

while hardly becoming a hermit, she did her

best to forget about the demands of her music

career. “Did I want to carry on the whirlwind of

touring? Or did I need some time, to read and

reflect?“ she ruminates. “I think I was caught

between those two completely polar opposites.

Like, being on my kitchen table at 11am, or...

just wanting to be quiet and read?“

The resulting album christened

How Big,

How Blue, How Beautiful

is freshly available

to ears in time for the upcoming Florence +

the Machine shows at Splendour in the Grass

in July; it's a fairly personal affair that, while

inevitably tied up in metaphor, processes a

life spent in the sealed bubble of the touring

experience, looking back at various events of

elation, madness, blow outs and triumphs.

“It

is

a very personal record,” she concurs.

“I thought it was about one thing and then…

it’s turned out to be about so many different

things.” Of course in the songwriting game,

love is never very far away; while certain songs

or song titles

(What Kind of Man?

springs to

mind) allude to themes of the heart, the album

inevitably revealed itself as being about all the

things simmering away under the surface. “I

thought it was about a relationship and then as

I’ve listened to it and gone through it, I realised

I thought it was about

a relationship. I

realised it was about

a relationship I was

having with myself.