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of attention to authenticity and specificity.

So, when I cast a movie like this, I always

want to go right to the truth and the truth

of this movie is kids who run, who live in

McFarland, and who also do field work.

So, we went there. In fact, we went to

a lot of similar communities in California

about 18 months before we even got into

the casting process to identify who these

kids were, through group auditions and

little improvisations. We were also casting

within the acting community but what’s

amazing about the seven of them is that

three of them are from McFarland and had

never acted before. So it was fantastic in

pre-production to put the real kids through

acting training, and put the acting kids

through physical training. They all had a

lot to learn from each other. The group is

so tight and seamless that nobody can

tell me who are the actors and who are

the non-actors. They were intensively

prepared and they worked incredibly hard.

I had a huge amount of respect for that

going in and a huge amount of confidence.

stack.net.nz

with

NIKI CARO

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Did you enjoy working with the boys

you cast as the runners?

As a filmmaker, I love to work in real

communities and real people. I like to light

them up. There’s something special about

putting people on screen who never saw

themselves that way and don’t necessarily

see how beautiful they are. Not just these

boys, but also the community in general.

All seven of the boys we cast are worthy

of important and satisfying careers. They

all have something special.

As well as running, some of the

characters are also into low-riding. Can

you tell us about that culture?

Low-riding was very big in the Central

Valley in the mid-’80s. Bakersfield was

one of the low-riding epicenters of this

area and this country. I have a strong

connection to it because my husband is

a big part of that culture, so I know way

more about low-riding than a middle-class

white woman from New Zealand should!

Low-riding culture is vastly different to

how it’s generally portrayed on screen.

What the movie business has done to low-

riding is use it as shorthand for gangster,

when in fact it’s almost the complete

opposite. In the world of low-riding, it’s all

about family; it’s all about community and

these vehicles, how beautiful they are and

the work that you do on them and the way

you show them off. There’s a great deal of

pride in low-riding culture that’s indicative

of the pride in Mexican culture generally.

What happened to the real-life running

team?

A number of the original runners

became teachers in McFarland, in the very

high school [they themselves attended].

One of them, David Diaz, was actually the

principal of that school for some time. The

fact they’re all back working and raising

their families in their town and actively

supporting the cross-country teams of

today speaks volumes about the magic of

that community and of those people.

McFarland, USA,

is out on DVD and

Blu-ray on

August 19