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032

AUGUST

2017

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stack.com.au

EXTRAS

FEATURE

drummer and an aristocratic

Southern gambler. Along the trail

they happen upon Ringo Kid, a

fugitive from justice, who hitches

a ride with them to Lordsburg to

avenge the death of his father

and brother at the hands of Luke

Plummer who he knows will be

there waiting for him. During the

hazardous journey they must all

learn to work together to survive.

Not surprisingly, the least socially

reputable members of the group

perform the most heroically. The whore and

drunken doctor deliver the baby and Ringo

ensures the safety of the coach when attacked

by the Apache. The film ends with a climactic

gunfight between Ringo and the Plummer gang

on the empty streets of Lordsburg.

Viewed today these now familiar types

and tropes might seem a little clichéd. But

by combining a richly detailed narrative

with dramatic action, Ford delivered for

cinema audiences the first "adult western".

Furthermore, it has become a virtual anthology

of scenes and techniques that has inspired and

guided generations of filmmakers. Orson Welles

reportedly viewed

Stagecoach

over forty times

whilst making Citizen Kane.

Stagecoach

is also identified as the film

that launched John Wayne's rise to stardom

and screen immortality. For Wayne, his role

as the Ringo Kid was the culmination of eight

years slaving away in the B-western graveyard

appearing in over 50 forgettable "cowboy

movies". Now he found himself working with

distinguished veteran actors such as Thomas

Mitchell, John Carradine, George Bancroft and

a frequently tyrannical movie director. Ford's

hostile treatment of Wayne on the film set has

passed into legend. He rode him mercilessly

with such vitriolic comments as "Can't you walk

for Chrissake, instead of skipping like some

goddamn fairy. Hell, I should

have hired Gary Cooper for the

part instead of a big oaf". The

character, Ringo, is a resolute

man when confronted with

danger but he is awkward,

inarticulate and uncomfortable

in social settings. Ford's

continual belittling and bullying

of Wayne in front of the rest

of the cast and film crew

was deliberate. By doing so

he managed to draw out the

best performance from the

novice actor by making him feel exactly as his

character is depicted in the movie. Some time

during the making of

Stagecoach

John Wayne

became a bona fide film actor.

Part of the movie's location introduced

audiences to the spectacular mesas and buttes

of Monument Valley, an isolated area of the

Navajo Indian reservation on the border of

Utah and Arizona. Ford employed the Navajo

population as movie extras and labourers

during the location filming of

Stagecoach

. He

would continue to do so for all of the critically-

acclaimed and popular films he would go on to

shoot there. Over the next twenty-five years

the magnificent vistas would serve Ford as

his dream landscape of the American past.

Monument Valley became synonymous with the

old west and forever identified with moviegoers

as John Ford country.

Stagecoach

was released in February 1939

and reviewers were unanimous in their praise,

describing it as a true American classic. It also

proved a substantial commercial hit, grossing

more than a million dollars in its first year. In

addition it garnered seven Academy Award

nominations including Best Director and Best

Film. But that year it was up against

Gone With

The Wind

which practically swept the awards

board, nevertheless, it still managed to win two

Oscars. Thomas Mitchell won Best Supporting

Actor for his portrayal of the drunken Doc

Boone and composer Richard Hageman for best

music score.

John Ford's

Stagecoach

gave the western

a respectability it had never had before and

moreover, its impact on adult cinema audiences

led to the western becoming a permanently

popular film genre for the next

three decades.

The cast of

Stagecoach

l to r. Andy

Devine, George Bancroft, John

Carradine, Donald Meek, Louise Platt,

Claire Trevor and John Wayne (missing

from the scene are Thomas Mitchell

and Berton Churchill)

The impressive

entrance of John

Wayne in

Stagecoach

.

One of the many amazing stunts from the movie

performed by Yakima Canutt here doubling for

Wayne's character Ringo as he leaps from the

coach to retrieve the horses' harness

A scene from

Stagecoach

filmed in the

magnificent Monument Valley

continued

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