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C

anberra-born Jennifer Peedom’s relationship with

Everest began when she discovered that her body

operated well at altitudes whilst trekking with a friend.

She has since worked as high altitude director on the

Discovery Channel series

Everest: Beyond the Limit

(2006),

as well as directing the documentary feature

Miracle on

Everest

(2008), and now

Sherpa

(2015).

“It takes years to understand what it is to work at high

altitude and develop systems and processes – what kind

of gloves to wear and how you carry the camera while

climbing,” she explains. “Then there is the extra weight;

relatively, everything at high altitude weighs about ten

times what it would at sea level. It’s got to be one of the

toughest jobs out there.”

She also notes that digital and GoPro cameras have

had a significant impact on high altitude filmmaking,

particularly during the making of

Sherpa

.

“GoPro has had a remarkable effect, particularly now

that it’s high resolution. The intimacy it gives you when

climbing through the Icefall – you can hear them breathing

and praying mantras. I’m a big fan what those cameras

can bring. They give you better access, and we put them

everywhere, like on helicopter skids. They can be tricky,

but when you get it right, it can be incredibly effective.”

contribution to the multi-million

dollar Everest industry was to

be the subject of Peedom’s

documentary feature

Sherpa

,

before disaster struck on April 18,

2014, when an avalanche claimed

the lives of 16 guides.

“It was a very difficult time

emotionally for everybody involved,”

S

herpas, the resilient

Nepalese ethnic group

with a strong spiritual

connection to Everest, make a

living as guides on mountaineering

expeditions, carrying supplies from

Base Camp to higher altitudes, and

crossing the treacherous Khumbu

Icefall. Some, like Phurba Tashi,

have climbed the mountain a record

21 times.

“’Sherpa’ has become

synonymous with a job description,”

says Jennifer Peedom, “and

because they’ve become famous

for being so good at it, people think

it’s just a name for somebody who

carries a bag up a hill.”

The community’s crucial –

and largely unacknowledged –

Peedom recalls. “It was a

really tough couple of weeks

just to keep filming when you don’t

know what the outcome is.”

However, the director says that

the tragedy didn’t drastically alter

the film she originally set out to

make, which sought to highlight the

risks the Sherpas take.

“This thing happened as a direct

Westerners are recognised for their climbing achievements in the

Himalayas, but the unsung heroes of Everest go unnoticed. Jennifer

Peedom’s remarkable documentary feature

Sherpa

set out to change

that – and then tragedy struck.

Words: Scott Hocking

TROUBLE

ON

EVEREST

TOP SHOT

result of the Sherpas taking these

risks,” she says, “so what it meant

was a lot more conflict, which

equates to a lot more drama.

“There was a lot of uncertainty.

We didn’t know if the expedition

was going to continue or not, nor

did I have a strong feeling whether

that would be good or bad for the

film. I just knew we had to keep

observing what was unfolding, and

this was probably the story.

“Your documentary instinct

needs to kick in and follow the story

and what it now is, which is the

Sherpas rising up for the first time

ever and saying, ‘enough is enough’.

“At the time it was unclear as

to whether we had a film any

more,” she continues. “Universal

was threatening to pull the plug,

because it became clear they

wanted an adventure film that went

all the way to the summit. We had

to rewrite the treatment and re-

pitch the film to them.”

The events depicted in

Sherpa

became a catalyst for change in

the Everest-climbing industry,

bringing long overdue recognition

of the Sherpas’ invaluable

involvement.

“It was a real line in the

sand because it made the

Sherpas realise that they

had more power than

they thought they had,"

explains Peedom. "By

standing up and giving up

a season’s income, they will

never be taken for granted again.

“So the power dynamic has

shifted and everybody has to be a

little more careful about what they

do and say around the Sherpas,”

she adds. “It’s about respect and

acknowledgement – that’s a huge

part of it.”

...people think it’s

just a name for

somebody who

carries a bag

up a hill

Sherpa

is out

Aug 4

visit

stack.net.au

DVD

&

BD

FEATURE

40

jbhifi.com.au

AUGUST

2016

DVD

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