Table of Contents Table of Contents
Previous Page  73 / 104 Next Page
Information
Show Menu
Previous Page 73 / 104 Next Page
Page Background

I

t's a grand month for pop-punk: Blink-182

release

California

, which shares a producer

with Good Charlotte's triumphant

Youth

Authority

, which in turn features a cameo from

dreamboat vocalist Simon Neil of Scottish

group Biffy Clyro, who are giving us

Ellipsis

.

So, almost a three-part pop-punk ouroboros,

if you like. If you don't like, there's plenty

more to choose from, including a gorgeously

ethereal Album of the Month. Don't punch a

gift horse in the face.

Zo

ë

Radas (Music Editor)

OH PEP!

03

NEWS

MUSIC

MUSIC

E

qual rations gutsy, charming, intricate and

smart, Oh Pep! are a Melbourne two-piece

who have enchanted

STACK

over the last

couple of months as tracks from their debut

album

Stadium Cake

have

floated into the ol’ inbox.

Olivia Hally and Pepita

Emmerichs met at the

Victorian College of the

Arts and quickly began

to combine the former’s

guitar and the latter’s

violin and mandolin with

their shared songwriting

talents, coming up with

gems that are musically

fascinating and lyrically

astute with a distinctive

alt-pop-folk mien. “Our

whole premise behind

songwriting is that we

write tunes that we

find interesting to play,”

Olivia says. “That’s what

I always listen out for

in other people’s music

– stuff that keeps me

intrigued.” For Oh Pep!,

those bits come in the form of time signature

shifts, agile melodic twists and Pepita’s inspired

and unconventional approach to the violin.

“I think having grown up playing classical

music, you tend to explore a lot of different

techniques,” Pepita says. “There’s a lot of

plucking stuff and you’re using harmonics and

double stops, and then I discovered Andrew

Bird – the way he plays is fearless, because

you don’t see [violin] so much in pop music.

And he does it without question and he does

it so well.”

The pair’s lyrics and their delivery by

(primarily) Olivia end up like a story of linked

maxims; advice offered ironically, or maybe

too late, or with earnest, honest conviction.

“I guess it’s always

like a note to yourself,

even if the song’s

about someone else

you know,” says Olivia.

“Little reminders, or

things I have heard from

other people that have

taken a little while to

sink in.”

“My dad’s a classic

for the advice one-

liners,” she adds,

explaining that one

of her pop’s favourite

phrases for when he

didn’t want to help her

with her high school

homework – ‘Let me

help you help yourself’

– made it into a track,

for which her dad

will be forever proud.

But it’s heart-skinning

slogans like ‘I know what I want, but it’s not

what I need’, and ‘When I let it out, don’t let it

in’, and even ‘Oh my goodness, here comes

His Highness, followed by my friend the air

hostess,’ that are going to lodge themselves

into the most emotional pockets of your brain.

They're touring in August, so keep an eye out.

INTERVIEW

JIMMY BARNES

T

he beloved Barnsey has crested the

Australian charts for the 15th occasion in

his career - we spoke to him about his new

covers album

Soul Searchin'

.

Q1/

Sifting through all the possible soul

songs you could have recorded, which perhaps

lesser-known track are you most proud to have

brought to the fore with this collection?

I think the tracks that were originally recorded

by Lee Moses:

Bad Girl

and

If Loving You Is A

Crime

. I love his voice and the fact that he is quite

mysterious. There aren’t many photos of him or

a lot of information out there about him. As soon

as I heard his voice I became a huge fan. They are

desperate lyrics with a lot of tenderness. He sounds

like a wounded soul. I hope people go and listen to

his versions of these songs and anything else of him

they can find.

Q2/

You’ve surpassed The Beatles’ record of

14 #1 albums, with

Soul Searchin

’ marking your

15th. Did the milestone surprise you, or are you

very involved with the numbers side of things?

I know exactly how many records I have done

and where they chart. As an artist I am very proud

of all of them, including the ones that didn’t make

it to number one. If I can make a record and get to

say what I wanted to say on it, or sing it the way I

wanted to, to release the emotions that I needed

to release, then I think the records are a success.

So being number one isn’t the be all and end all of

making music. But in saying that I am very proud

of the success of these records. Not just for myself

but for all the people involved, from the producer

through all of the team at the record company who

worked really hard to make them successful.

Q3/

For this month's tour, have you prepped

material from across your entire oeuvre or do

you need to be very efficient and have setlists

set in stone long before rehearsals start?

We have put together a list of contenders that

have been drawn from all four soul records and we

will learn all of them and then decide on the set on

the night. The band are all great players so we are

more than capable of pulling anything we want out

on the night. So don’t be afraid to yell out. We will

see what we can do.

INTERVIEW

Soul Searchin'

by Jimmy Barnes is out now

via Liberation.

Peter Garrett [see our review on pg 18]

Stadium Cake

by Oh Pep! is out now

via Remote Control.