Table of Contents Table of Contents
Previous Page  27 / 58 Next Page
Information
Show Menu
Previous Page 27 / 58 Next Page
Page Background

For more reviews, overviews and

interviews by Graham Reid see:

www.elsewhere.co.nz

reviews have been enormously favourable. She’s

unpredictable but now has such a back catalogue

of songs across so many genres she will be one to

get down the front early for. Check out that latest

album though: She’s rarely sounded so focused,

spiritual and secular, forgiving and empowered,

comfortable and confident in her skin.

Orquesta Buena Vista

Social Club

(Cuba)

Last chance because this long-running outfit

– which still includes some original members,

notably ithe increible lead vocalist Omara

Portuondo – are calling it a day after this

performance. Since Ry Cooder brought these

Cuban musicians together, some of whom

hadn’t spoken to each other in years, for a project

that came about by accident when a troupe of

African artists didn’t make the flight to Havana

as intended, the BVSC subsequently created hit

collaborative albums, hit solo albums, toured the

world and were feted and acclaimed everywhere.

The years took their toll on some and this is an

opportunity to acknowledge those players who

are no longer with us, as much as a celebration of

those on stage. Plus they are just a whole heap of

(sometimes sentimental) fun.The original album is

still essential.

Richard Thompson

(UK)

This brilliant English guitarist-songwriter (and

longtime US resident) appeared at New Zealand’s

firstWOMAD in ‘97 atWestern Springs, and in

a recent interview was apologetic about never

having been back.These days he has what he

jokingly bills as “a less powerful, power trio...

a wimp trio.” He talks it down because “when

you say ‘electric trio’ everyone thinks of the Jimi

Hendrix Experience”. With a career dating back

to ‘60s folk-rock innovators Fairport Convention,

Thompson has a massive back catalogue.

However 2013’s

Electric

with the trio (and a few

friends) will give a hint of what they do. He also

promises a few of his most popular songs and

material from a forthcoming album the group

recorded, with JeffTweedy ofWilco producing.

Toumani &Sidiki Diabate

(Mali)

The great kora playerToumani Diabate brought

the unique 21-stringWest African harp to world

attention. Born into a musical lineage – 71

continuous generations of kora players –Toumani

was a self-taught child prodigy. His influences are

wide – Indian classical music, Spanish flamenco,

radical free jazz – and his collaborations have been

courageous and thrilling (Ali FarkaTouré, Salif

Keita, bluesmanTaj Mahal, Björk and Gorillaz/Blur

frontman Damon Albarn). He’s joined by his eldest

son Sidiki, a master kora player and hip hop star in

Mali.The self-titled album they released last year

addresses the jihadist takeover in Mali, where

bans on music were imposed in northern regions,

and their songs express weighty concerns with

exhilarating energy and joyful optimism. Not to

be missed.

RufusWainwright

(Canada)

One of the most effortlessly magnificent and

expressive voices of his generation. Wainwright

– the son of folk singers LoudonWainwright III

and Kate McGarrigle, and the brother of Martha

-- performs ballads, opera, show tunes, classical

pieces and more. So who knows what he might

do solo... but who cares? He’s put his dark

past behind him and that has come through

in recent, enjoyable shows. His 2007 album

Release the Stars

is your starting point for a

voyage of discovery if, for some reason, this

towering talent has gone past you. And why on

aWOMAD bill? Again, who cares?

YoussouN’Dour

(Senegal)

For over three decadesYoussou N’Dour has

been a legend in African music with his power

and purpose. He not only presents the ancient

griot traditions of Senegal in a fresh light, but

carries political and social messages to the

wider world. He has collaborated with Peter

Gabriel, Sting, Neneh Cherry (on the memorable

7 Seconds

single), Paul Simon, Bruce

Springsteen and others. He has released too

many albums to single out any one in particular

(although

Immigres

of 2005 and

The Guide,

2011

, are in most sensible collections) so just

head to

7 Seconds;The Best ofYoussou N’Dour

for a taste of his distinctive voice.

Youssou N’Dour

THE KIWI CONTINGENT

As always, there will also be a strong

New Zealand line-up at this year’sWOMAD.

Tahuna Breaks:

If there was formula for that

goodtime festival vibe with its source in reggae, dub,

funk-lite and soul then this outfit probably have it written

in their DNA. Every WOMAD has its acts which do the job

of getting people to their feet for some shoulder-sway, and

alongside Trinity Roots, that’s exactly what Tahuna Breaks

will do. Check their album

Black Brown and White

; their

new live CD/DVD is released a week after WOMAD.

Flip Grater:

Paris-based New Zealand singer-

songwriter Flip Grater’s 2010 effort

While I’m Awake

I’m At War

(which was a finalist for Folk Album Of The

Year), was released in seven countries, garnered critical

acclaim and earned her a following in Germany, France

and Portugal. But last year’s

Pigalle

was the sound of a

sophisticated, mature artist; her songwriting career really

began withits release. You deserve to hear it.

Mel Parsons:

Regarded as one of New Zealand’s

songwriting stars and with an assured live presence,

Parsons brings a unique sensibility to melody and

harmony, and is a two-time NZ Folk Album of the Year

finalist. A Fly My Pretties member and long time fixture

on the touring circuit, Parsons has recently been

performing through Australia, UK, Ireland, Germany and

North America. Parsons will be joined at WOMAD by

multi-instrumentalist Gerry Paul (Tim O’Brien, Gráda). Her

album

Red Grey Blue

(2011) is a good starting point, and

there’s a new one due after WOMAD.

MyeleManzanza&The Eclectic:

Manzanza, who

grew up with formal jazz training and African rhythms, was

a longtime member of Electric Wire Hustle until recently

and now fronts his own outfit astutely entitled The Eclectic.

He has released his debut solo album

One

internationally

and leads his seven-piece band from the drumkit.

TrinityRoots:

Following their albums

True

(2002) and

Home, Land and Sea

(2004) and the acclaim that followed,

this trio broke up and went their separate ways into Fat

Freddy’s Drop, Little Bushman, Eru Dangerspiel and Breaks

Co-op, only to reform in 2010. One of this country’s most

loved and popular outfits who connect with people and

place. And there’s a new album on the way.

French ForRabbits:

This will be interesting

because the duo of Brooke Singer and John Fitzgerald

presented a superbly dreamlike folkadelic album

Spirits

last year, and it was ideal at-home listening in the quieter

hours. How they translate to an outdoor stage will be

worth seeing. They are smart, so the smart money

says they can deliver.

For more reviews, overviews and

interviews by Graham Reid see:

www.elsewhere.co.nz

27

MUSIC

FEATURE