Table of Contents Table of Contents
Previous Page  26 / 116 Next Page
Basic version Information
Show Menu
Previous Page 26 / 116 Next Page
Page Background

026

NOVEMBER 2014

JB Hi-Fi

www.jbhifi.com.au

FEATURE

EXTRAS

Southern belle. Thousands of young women from

offices, stores, beauty parlours, finishing schools,

stock theatres and amateur productions lined up

for the chance to audition for the most coveted

role in Hollywood.

Selznick’s only aim was publicity – and lots of

it! And that’s exactly what he got; the potential

Cinderella story kept his upcoming movie on

the front pages of the national newspapers for

months. While America went into a Scarlett

frenzy, Selznick quietly turned his attention to

the real search to find his Scarlett amongst

Hollywood’s established female stars.

Practically every eligible Hollywood actress,

from Tallulah Bankhead to Lana Turner, undertook

screen tests, but none of them captured the

character of Scarlett as detailed in Mitchell’s

book. Although Selznick considered Paulette

Goddard’s screen test to be the closest to the

character, he was still not confident enough to

cast her in the role.

Meanwhile, the huge sets required for the

production were to be constructed on RKO’s

massive 40-acre backlot, which was still littered

with old sets from previous productions (

King Kong

,

The Garden of Allah

and

King of Kings

)

that would

require dismantling. Selznick’s production manager

hit upon the brilliant idea of building facades to

represent Atlanta, placing them in front of the

old sets, and torching the lot at the production’s

conclusion. This would not only make way for the

new sets required, but at the same time allow

the major scene of the burning of the munitions

warehouses at the Atlanta depot to be shot.

On the night of 10 December 1938, seven

Technicolor cameras were set up and stunt doubles

of Rhett Butler and Scarlett O’Hara were placed in

a wagon to race through the flames. As Selznick

stood on a high rise platform and watched the

fire light up the Los Angeles night sky, he was

joined by his brother Myron, holding the hand of

a beautiful young woman. “David, I want you to

meet Scarlett O’Hara,” his brother said.

The woman was the British actress

Vivien Leigh, who was also accompanied by

her fiancé Laurence Olivier. According to

Hollywood legend, that’s how David O.

Selznick found his Scarlett O’Hara. The truth,

however, is somewhat more mundane.

Selznick had already heard of Leigh early in his

search and had watched a number of her films.

Believing she was exactly what he wanted, he had

kept her a secret because he was fearful that the

American public would reject an Englishwoman

playing a Southern belle. Consequently, Selznick

meeting Scarlett on the night his Atlanta burned

was pure hype, concocted and arranged by his

publicity department; the gullible, movie-mad

public and the media absolutely adored the story

and it quickly became part of Hollywood history.

Successful screen tests followed, and the vibrant

and dynamic Vivien Leigh won what is potentially

the most vexing vixen role in the history

of motion pictures.

With the cast finally in place, filming began in

earnest in early January 1939, but the production

soon threw up a tranche of major problems

on-set. Gable, who never wanted to play Rhett

Butler, immediately clashed with director George

Cukor over the character’s Southern accent,

which he refused to imitate. He also felt that

Cukor’s reputation as a “woman’s director” was

diminishing his part in the picture. Cukor was

replaced with Gable’s best friend Victor Fleming,

who wanted – and got – an entire script rewrite.

Popping Benzedrine every day, Fleming suffered

a nervous breakdown and SamWood was

recruited until Fleming was fit enough to return to

the director’s chair.

Vivien Leigh then went into a grand sulk.

She hated Fleming, who referred to her on

set has “Fiddly Dee”, and repeatedly requested

that Cukor be reinstated. Miss Leigh also

complained bitterly about Gable’s false teeth

and bad breath, and often refused to undertake

the kissing scenes with the actor. Gable had in

fact eaten a clove of garlic each morning to

deliberately annoy his co-star.  

Leslie Howard, who played Confederate officer

Ashley Wilkes, commented later that it was the

most miserable and bad tempered production he

had ever worked on. Nevertheless, 12 months

later,

Gone with the Wind –

a film that had

been conceived in doubt – was finally delivered

and had its premiere in Atlanta, Georgia, on

15 December 1939. It was an immediate box-

office hit and went on to win ten Academy

Awards, including Outstanding Production (the

forerunner of the Best Picture award).

Gone with the Wind

completely overturned

the axiom that “Civil War films are poison at the

box-office” and became legendary. Today, 75

years after it first hit the screen, it is still arguably

Hollywood’s most famous motion picture.

visit

www.stack.net.au

continued

The beautiful Vivien Leigh

as Scarlett O’Hara

Below: Vivien Leigh, Clark Gable,

Margaret Mitchell, David O. Selznick and

Olivia de Havilland arrive in Atlanta for the

premiere of

Gone with the Wind.

Gone with

the Wind:

75th

Anniversary

Collector’s Edition

is out now on

Blu-ray, exclusive

to JB Hi-Fi