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25

EXTRAS

Angeles (this would allow the

film to qualify for Academy

Award consideration). They

would run the movie for one

week only and then close it to

enable the studio to gauge the

critical and public reaction.

Much to Universal’s surprise,

the film’s reviews during that

opening week were in the

main very positive. One New

York critic even described it as

a magnificent masterpiece and

Michael Cimino, an original and

major new filmmaker. However,

there were a number of ex-Vietnam war

correspondents who soundly condemned it

for taking liberties with historical accuracy, in

particular the contrived scenes where the Viet

Cong force Robert De Niro and Christopher

Walken’s characters to play Russian roulette

with a loaded gun. 

The Deer Hunter

was finally given a

worldwide release in February 1979, and a

few weeks later it received nine Academy

Award nominations. Subsequently, all of the

Hollywood studios swarmed around Cimino,

offering him deals to direct his next picture for

them. Amongst the offers arriving on Cimino’s

agent's desk was one from the inexperienced

new leadership at United Artists. 

United Artists was co-founded in 1919 by

the actors Mary Pickford, Douglas Fairbanks,

Charlie Chaplin, and director D.W. Griffith. At

the time it was considered a revolutionary

new independent film company that would

free actors from the dominance of the big

studios and allow them to not only make

the films they wanted to make, but also

to retain all of the profits for themselves.

The movie industry predicted that the new

company would not last a year but it managed

to survive in one form or another all the way

through to 1956, when the last two surviving

founders, Pickford and Chaplin, sold off their

remaining stock.

In 1957 UA went public, and ten years

later was purchased by insurance giant

Transamerica Corporation. There now followed

an upsurge in UA fortunes with numerous

hit movies released each year and the

honours that went with them. In 1975 UA

won its eighth Best Picture Academy Award,

its ninth in 1976, and its tenth in 1977. But

the following year, the brilliant five-man

UA executive board had an acrimonious

falling out with the Transamerica owners

and decamped en masse to form a new film

company – Orion Pictures, a studio backed

by Warner Bros. The hastily replaced new

president of UA was Andy Albeck, who gave

the roles of head of film production to Steven

Bach and David Field, both having very little

moviemaking experience.

Hungry for product and the opportunity to

impress their new boss, they forwarded to

Cimino’s agent an offer to finance any film the

young director might wish to make. A meeting

was arranged between Bach, Cimino and his

producer, Joann Carelli, where she passed

Bach a script that she described as “a passion

of Michael’s”. The title of the script was 

The

Johnson County War,

which told the story of

a little known incident in American history of

cattle ranchers legally hiring mercenaries to

slaughter immigrant homesteaders accused

of cattle rustling. Cimino added that he would

probably change the title but was otherwise

ready to begin pre-production immediately.

What was on the table, he said, was a “pay

or play deal”– which meant that Cimino

would get paid for the script and his director’s

fee whether the film was made or not. He

concluded by stating that his

personal protocol dictated that

he also submit the project to

Universal, Warner Bros. and

20th Century Fox, who had all

expressed an interest.

Bach took the script back

to UA where it was passed

on to the story department for

comment. Their reaction after

reading it was lukewarm:”Too

many characters with a too

downbeat ending in which all

the protagonists are killed. If not

for Cimino’s name we would

pass on it”.

But the UA executive thought

the project was worth going

ahead with. After all, if they

did not grab the property, one of the other

big Hollywood film studios certainly would.

Subsequently, a contract with a projected

budget of $7.5 million ($28.5 million in today’s

money) was signed with Cimino’s agent.

Two months later in April 1979, at the

51st Academy Awards ceremony, 

The Deer

Hunter

won five Oscars including Best Picture

and Best Director. The new UA executive and

production team now heartily congratulated

each other that their first official act had been

making a deal with the now very hot Oscar

winning director, Michael Cimino, as well

as beating off all of the competition in the

process. Little did they know that they had in

fact made the deal that would destroy the 60-

year-old film company: United Artists. 

To be continued...

Cimino would get paid

for the script and his

director's fee whether

the film was made or not

Michael Cimino with his Best Director

Oscar for

The Deer Hunter

Co-founders D.W. Griffiths, Mary Pickford,

Charlie Chaplin, Douglas Fairbanks Snr. and

their legal representatives sign the contract

establishing United Artists motion picture

company in February 1919.