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I

n a limited edition DVD pack exclusive to JB Hi-Fi, you can take a jaunt

across the globe with the Netherlands' classical idol.

Around The World

With André Rieu

comprises more than 11 hours of live concert footage,

including shows at Vienna's Schönbrunn Castle, NewYork's Radio City

Music Hall, and dates in Dublin and South Africa

all led by the talented

hand of Rieu in a feast for the ears as well as the eyes (you've got to love

those princess dresses). The four-DVD set is available now.

REGINA

SPEKTOR

AROUND ANDRÉ

'

S WORLD

Around

The World

With Andre

Rieu

is out

now via ABC

Classics/

Universal.

A

fter the commercial triumph of

Slave To The Rhythm

, Grace Jones's

comeback album of 1985, Island

Records quickly decided to release a

Best Of collection. Jones assigned her

then-partner, photographer and graphic

designer Jean-Paul Goude, to create

the cover image for

Island Life

. In what

has become an iconic portrait, Goude

compiled several separate snaps of

Jones and constructed this lithesome

and elegant

if anatomically dubious

pose, all before Photoshop

existed. "Unless you are extraordinarily supple, you cannot do this

arabesque," Goude has said. "The main point is that Grace couldn’t do it,

and that’s the basis of my entire work: creating a credible illusion." Goude

would later photograph Kim Kardashian for

Paper

magazine in 2014.

WHAT'S THE STORY?

We have a look back at the fascinating tales behind some

of our favourite album covers.

INTERVIEW

Remember Us To Life

by Regina Spektor is out now

via Warner.

This month:

Island Life,

Grace Jones (1985)

P

regnancy and childbirth: they’re basically

magic. Even so, Moscow-born Regina

Spektor was “pleasantly surprised” with how

inspirational the experiences were – even if she

initially went into denial and decided the right

thing to do was re-watch all of

The Wonder

Years

. “I was very happy about that,” she

giggles. “But I had a lot of support. One of my

best friends in the world is a doula. She is just

an incredible person and also very, very giving

with her knowledge.”

Spektor’s enthusiasm for writing took an

osmotic form: “It’s sometimes hard to have a

direct correlation with events and inspiration,

but I think that you’re just in a very altered

state, and it requires a kind of leap, the same

way that your body just knows what to do to

make the baby,” she explains. “I was [glad] that

I wanted to make as much art as I did, and I felt

challenged by it. I didn’t know what it was going

to be like.”

Remember Us To Life

, the album of new

material which resulted, is full of spellbinding

ideas crafted around piano and strings. There’s

the sinister, thumping beats of

Small Bill$

with

Billy Holliday-esque whoops in the middle

of lyrical phrases, the reflective poetry of

Older And Taller

(“’Enjoy your youth’ sounds

like a threat”), and the beautiful

Grand Hotel

– Spektor's lyrics detail the cavorting of the

titular lodging’s subterranean demons as they

dance and kiss in a diabolical bacchanal, also

somehow making their wishes and actions

seem so human. (Even when they're "piercing

fair maidens' chests with their horns", it's

just part of the sylvan celebration.) It’s very

reminiscent of Satan’s Great Ball in the classic

Russian novel

The Master and Margarita

. “I

re-read that book every few years!” Spektor

exclaims with delight. “It’s one of my favourite

visit

stack.net.au

04

jbhifi.com.au

OCTOBER

2016

MUSIC

NEWS

continued

FACTOID:

In 2010, Regina Spektor was invited by Barack Obama to perform at the National Jewish Heritage Month reception. She played

Us

, from her 2004 album

Soviet Kitsch

.

books in the universe. It’s funny – you’d think

that [connection] would be obvious to me, but

of course it makes so much sense. See, that’s

the cool thing about putting music out there.

It’s the reverberations in other people that

almost create this sonar. You don’t really fully

get your art that much, and some of it really

remains mysterious forever. But sometimes,

it’s almost like having the world be your

therapist. That’s very cool.”

Vocalist Kimmy Stoka performs

My African Dream

with

Rieu and the Johann Strauss Orchestra