STACK Jul #129

26 / 113

026 JULY 2015 JB Hi-Fi
MINIONS
From the dawn of time, Minions have wished only to loyally serve
tyranny… but they just keep accidently killing them. We love a simple idea!
The highlight of Despicable Me finally get their own feature, but can you
have too much of a good thing? Thankfully the childish humour, seemingly
sucked from the souls of The Goon Show and Monty Python, takes on
such a life of its own – the rocket-like pace all but makes up for a nearly
two-hour film of a one-hour idea. Smart then to set the majority of the film
(after a hysterical history lesson) in swinging 1968 London – complete with
stereotypical tea-drinking, bad-toothed and altogether eccentric Poms on
plain display (even The Queen cops a bit of ribbing). With not one stone left
unturned and the fine line of danger and humour danced with immense
confidence, Minions’ true success is the little yellow critters themselves.
Voiced brilliantly by director Coffin (in some pseudo African/French hybrid
of nonsense), they are a non-stop bath of tear away innocence and silliness
that’s so naughty and infectious, it can’t but make the most cynical person
guffaw at least once. Overlong running time aside, this will no doubt
become a home release sensation with little ditties here, and be paused
and replayed for many, many years to come. Chris Murray
INSIDE OUT
Growing up is hard. Watching a film about it, however, is enjoyable. Inside
Out takes you inside the mind of twelve-year-old Riley and her (quite literally)
conflicting emotions; Joy (Amy Poehler), Anger (Lewis Black), Fear (Bill Hader),
Disgust (Mindy Kaling), and Sadness (Phyllis Smith). Disney/Pixar are the only
ones who could have made this work. Superficially, Inside Out is “emotions
inside a girl’s head”, but it tugs at the heartstrings in the way the best animated
features do, and you’ll be quickly relating to these cartoon emotions as real
characters. The film also reinforces how crucial emotions are to everyday life.
You let Joy take control, and most of your days are happy. Sadness can turn
even your happiest of memories into ones you never want to relive. Fear will
keep you safe from electrical cords, while Disgust makes sure you stay away
from broccoli pizza. And of course, Anger helps you bring out your inner hot-
head when things don’t quite go your way. Disney/Pixar titles are renowned
for their unique ability to appeal to both younger and older audiences, and this
one fits the bill perfectly. The young ones will love the cute animation, while
adults will appreciate the very real emotional depth. And don’t arrive late – the
opening short, Lava, is also worth the price of admission, with a song that will
be stuck in your head for days after. Alesha Kolbe
visit REVIEWS CINEMA
RELEASED: Now Showing DIRECTOR: Kyle Balda and Pierre Coffin CAST: Sandra
Bullock, Michael Keaton, Jon Hamm RATING: PG
RELEASED: Now Showing DIRECTOR: Pete Docter and Ronaldo Del Carmen
CAST: Amy Poehler, Bill Hader, Lewis Black RATING: PG
RATING KEY:
Wow!
Good
Not bad
Meh Woof!
MAGIC MIKE XXL
Our favourite bear’s recent nuptials descend into a nightmare when Ted tries
for a kid, only to find out he may indeed not be classified as a ‘real person’ in
the eyes of the law. Only a dope smoking lawyer can help him now! Yes, the
ultimate swear bear is back, but can he live up to his antics when Hollywood’s
most hated and loved stick-poker, Seth MacFarlane, is clearly having trouble
extending his machine gun humour into feature-length offerings? The simple
answer is yes, and um, no. The genius of Ted was MacFarlane simply waxing
lyrical via a fluffy, porn-obsessed stoner child’s toy. When on fire, this can be
gut-wrenchingly funny. And here, witnessing Ted throwing full cups of sperm,
debating on his Thunderbuddy’s obscure porn collection or driving a car like
a ratbag, it’s a full steam laugh-athon. That MacFarlane all but inserts fade-
to-black commercial breaks, and the film hits mountainous lulls amongst the
frivolity, suggests this could have been an amazing TV series unto itself. Hey,
who knows – your move, funny man. Oh yes, there’s a plot involving numerous
lawyers, Morgan Freeman, Roger from Mad Men, and the return of the Tiffany-
loving ‘Donnie’ – all culminating at New York’s Comic-Con. But don’t let that
interfere too much with the fart, boob, porn, n-word, Bill Cosby and Robin
Williams gags, and you’ll certainly have a solid giggle. Chris Murray
RELEASED: Now Showing DIRECTOR: Seth MacFarlane CAST: Mark Wahlberg,
Seth MacFarlane, Amanda Seyfried RATING: MA15+
Now running his own custom furniture business, the subdued Mike runs
into his old stripping pals and spontaneously decides to don the thong and
embark on one last road trip to a stripping convention. No, this is really
the plot! Lacking any of the self-referential in-your-face parody or cutting
social commentary evident in Verhoeven’s Showgirls , MMXXL’s script
outline appears to have been written on a bar napkin, misplaced, and then
re-written from memory some months later on a small Post-It: “Mike
takes off pants, again.” While this may indeed be a scintillating prospect
to behold for those so inclined, the fact it takes around 120 mins for this
complex ideal to unfold is akin to realising Godot may have been taking
the piss. Of course, as our hero hooks up with his fave melting pot of
mid-life crisis male entertainers, it’s clear we’re on an existential journey
into the secret world of men’s business, right? Channing Tatum is a reliable
and delightful actor with natural comedic talent and an enticing cinematic
presence, and yes, he can move his body. We only hope he got paid
enough here to buy that new house he always wanted. The same people
who go, ‘Whooo!’ for no reason when drunk on a hen’s night will love the
school eisteddfod-esque finale. Whooo! Chris Murray
RELEASED: July 9 DIRECTOR: Gregory Jacobs CAST: Channing Tatum, Joe
Manganiello, Matt Bomer RATING: MA15+
TED 2