Previous Page  29 / 36 Next Page
Information
Show Menu
Previous Page 29 / 36 Next Page
Page Background

M

uch of mysterious and fascinating atmosphere of the

Sansevero Chapel Museum is owed to its founder,

Raimondo di Sangro, Prince of Sansevero (1710-1771),

who commissioned the masterpieces that are collected there.

The most famous of these is Giuseppe Sanmartino's Cristo

Velato (Veiled Christ). Sculpted in 1753, the work is famous the

world over and its solid marble veil is so inexplicably light and

airy it has given rise to numerous legends regarding Raimondo

di Sangro's notoriety as an alchemist. In addition to the Veiled

Christ located in the centre of the chapel, there are over 20

other sculptures that represent the quintessence of Neapolitan

Baroque and are by major artists, such as Francesco Queirolo,

Antonio Corradini and Francesco Celebrano.

In 2016, the museum decided to replace its obsolete and

energy-intensive lighting with a new LED system. The old sys-

tem consisted of 32 profilers and spotlights fitted with 150 and

70 W metal halide lamps, and the aim of the new project was

to reduce energy consumption, improve museum organisation

(by avoiding frequent maintenance operations to change light

bulbs) and protect the artworks from the kind of damage that

light radiation can have on sensitive materials. The museum, in

fact, made extremely specific requests and insisted on compact

devices that would be more efficient in terms of energy with

higher levels of performance (high colour rendering, visual com-

fort and long lamp life), low heat dissipation and the option of

a single control system for all the luminaires in order to design

different lighting configurations for the chapel's splendid collec-

tion of marbles.

To create a spectacular and dynamic lighting scenario, iGuzzini

worked closely with the museum's staff of experts. The result

is a series of light ‘frames’ created by a Master Pro Evo control

system that can operate with a range of different luminaires.

Palco spotlights with elliptical refractors were primarily used to

light the frescoed ceiling, with profilers accent-lighting theVeiled

Christ and other marbles. iPro spotlights were inserted in the

original oil-fired lanterns to accent-light the plaster decorations.

Once the new luminaires were installed, the chapel inside reg-

istered a considerable drop in average temperature (about 3 °C),

as well as a drastic reduction in electricity consump-

tion. First and foremost, though, the new lighting

system succeeded in enhancing the mysterious

atmosphere of this magical and fascinating place.

iGuzzini, a top leader architectural lighting manu-

facturer with an international network of over 26

subsidiary companies and local distributors across

Europe, Asia and USA, has been operating in South

Africa for some time and is now in the country in an

office based in Sandton’s Nelson Mandela Square.

iGuzzini Johannesburg:

+27 (0)60 506 8572

/scott@iguzzini.ae

Sansevero

Chapel museum

Photographs by Luca Petrucci

27

LiD

AUG/SEP 2017