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MAY

2015

JB Hi-Fi

www.jbhifi.co.nz

20

visit

www.stack.net.nz

FEATURE

DVD

&

BD

“It was a completely different story but

there was one scene where the characters

bumped into this director and assistant director

who were shooting a zombie film and didn’t

understand that real zombies were attacking

them,” he says. “That script got put on the

backburner but I went back to that little seen

and expanded on that concept of having real

zombies attack a zombie film set.”

Shot in and around Dunedin – apparently it’s

the first feature to be shot there since

Scarfies

(1999) – the movie was funded through the

New Zealand Film Commission’s Escalator

scheme and he and his team have worked

wonders with a limited budget.

However, Pigden admits it was hard-going.

“I think our biggest challenge was working

within the budget of $250,000,” he reckons.

“It was very tight. Obviously, when you are

doing a zombie film, you are having to do a lot

of special effects and make-up involved, there

is a lot of action and spectacle that you are

trying to get across. All of those things are very

challenging when you have a small amount of

I Survived

A Zombie

Holocaust

is out on

May 22

money and creatively working

around that was one of the most

difficult things.”

He is full of praise for the work

of his effects team and his game

cast, a number of whom had

to endure a fair few indignities

on screen. They include Harley

Neville – actually a partner in

Pigden’s production company –

who plays the hapless hero, and

former

Shortland Street

regular

Reanin Johannink (last seen in

All Cheerleaders Die

), the spoilt

lead actress on the fictional

zombie film.

“The cast were amazing,”

Pigden says. “I was looking for people who

were completely invested in the characters

and were prepared to go the extra mile.

On a low budget film, you have to have

everybody on the same wave length,

giving it their 110 percent and prepared to

go further than what would normally be

asked of them. I think every single cast

member did that and I think that is

reflected on the screen.”

I Survived A Zombie Holocaust

premiered first at London’s Fright Fest and

in a New Zealand, it will be one of the first

local movies to be available simultaneously

at the cinema, on DVD and online.

However, Pigden would like to release

a special DVD edition of the film further

down the track.

“Our original cut came in at well

over two hours, so there is a lot of stuff

on the cutting room floor,” he explains.

“The scenes that were taken out were

mainly for timing purposes and what ended

up being trimmed away were scenes

that were not particularly relevant to the

central stories. This version for me is the

best version of the fim. But I would love

to come back to do another

edition with an in-depth

documentary detailing the

shoot and including a lot of

deleted scenes.”

Guy Pigden

talks to John

Ferguson about

his first full length

feature, the Kiwi

splatter comedy

I Survived

A Zombie

Holocaust

.

W

hen it comes to mixing

gags and gore, New

Zealand filmmakers has

always punched above their weight.

From the early films of Peter

Jackson, through to the splatter-

stick of

Black Sheep

and onto last year’s hits

Housebound

and W

hat We Do In The

Shadows

, our gift for horror comedies have

won over many genre fans, both here and

abroad.

It’s a heritage that filmmaker Guy Pigden is

very aware of – and one he is keen to uphold

on his full length feature

I Survived a Zombie

Holocaust

.

“I am a huge fan of Peter Jackson as a

filmmaker,” Pigden enthuses over the phone

to

STACK.

“ I was maybe 10 or 11 years old,

and someone gave me a copy of

Bad Taste,

and I remember it blowing my mind. Then I

watched

Braindead

and have been a huge fan

of his ever since. My intention for this film

was to try and make a film in the same spirit

of his early films.”

For

I Survived a Zombie Holocaust

– not

to be confused the BBC reality TV series

I

Survived a Zombie Apocalypse

– the fledgling

Kiwi filmmaker has certainly come up with a

cool new riff on what has become an overly-

familiar genre. Here, a film crew shooting a

low budget zombie flick in a remote location

find their set over-run by the real undead

from a nearby town – how do you tell the real

zombies from the extras in their make-up?

A cheerfully gory splatterfest that also

pokes fun at some of the conventions of the

genre, Pigden first came up with the idea

when writing another zombie flick.