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long-term leases – peaking at $750

per month ($10,000 in today’s

money). But in October of that

year, the Wall Street stock market

crashed. The signed up residents

at the chateau fled in panic as

their paper fortunes evaporated

overnight. Horowitz suddenly found

himself with practically an empty

complex and no immediate hope

of refilling it. He had gambled on a

dream and lost.

Two years later in 1931, the

beleaguered and almost bankrupt

Horowitz managed to sell the

Marmont to one Albert E. Smith.

As a co-founder of Vitagraph

Studios, Smith had sold his film

company to Warner Bros. in 1925

and instead of investing in movies,

now dabbled in LA real estate.

Despite the worsening economy

of the Great Depression, Smith

gambled on the 1932 Olympic

Games – hosted by the city of Los

Angeles – attracting hundreds of

thousands of visitors all needing

accommodation. To make the

chateau more attractive to visitors

he decided to scrap the original

long term leasing policy and

offer residency on monthly,

weekly, even daily rentals.

In effect, turn the Marmont

into a hotel. 

However, the

magnificence of the building

was not reflected in the

room furnishings which

Smith had identified as

being of extremely poor

quality. The Depression

had caused the closure

of many mansions in the

exclusive areas of LA,

forcing the previous owners

to auction off all of their

antique furniture and fine

artefacts. Smith attended

dozens of estate auctions

where he purchased

hundreds of valuable pieces

at rock bottom prices.

With his purchased classic

furnishings now ensconced

in all of the suites, a fully

equipped kitchen to serve guests with the

finest cuisine, and a trusted resident manager

– the former silent screen actress, Ann Little –

in position, Smith reopened Chateau Marmont.

The large attendance figures for the 1932

Olympics' opening day at the LA Memorial

Coliseum, and all the events that followed,

were far greater than the games' organisers

had anticipated. Consequently, throughout the

competition and for many

weeks after, the Marmont

was filled to capacity. Unlike

the former owner, Smith’s

tenuous gamble had paid

off. Furthermore, through

his association and contacts

within the movie industry,

his hotel would continue to

flourish over the following

decades.

The early 1920s were

years of immense growth

and prosperity for the

Hollywood movie business, but the coming

of sound in late 1927 threw the whole

industry into chaos. Everything was new

and nobody fully understood the technology.

Voices now had to match the actors'

on-screen characters and for many silent

stars, their voice did not lend itself to sound.

One prime example was the case of Norma

Talmadge, a huge star of the silent screen,

027

FEATURE

EXTRAS

who was a vision of romance as long as she

kept her mouth shut. This was highlighted

when she played the eponymous role in

Du

Barry, Woman of Passion 

(1930). Her lines

of dialogue, such as “The quality of moicy”

(mercy), delivered in her thick Brooklyn

accent, had movie audiences roaring with

laughter. (The incident was memorably

lampooned in the classic 1952 movie

Singin’

in the Rain

). 

The theatre was now absolutely essential

to the Hollywood studios, which could

provide them with a ready source of

experienced performers who knew how to

deliver lines of dialogue. Studio recruitment

personnel were dispatched to New York and

the East Coast to sign up stage actors and

actresses along with playwrights, directors,

composers, musicians and sound engineers.

The influx of new creative talent that

descended on Hollywood during the early

1930s all required temporary/permanent

accommodation. Through a pre-arrangement

with Albert E. Smith, the movie studios

provided that accommodation by booking

them into... The Chateau Marmont. 

To be continued...

A photograph of Sunset Strip circa 1930s. The tower in the distance

(top centre) is the Chateau Marmont “Hotel to the Stars”

Silent screen actress, Ann Little,

had a distinguished career in

film but retired at the advent

of the “talkies”. In 1931 she

became the resident manager of

Chateau Marmont.

If you must get in trouble, do it at the

Chateau Marmont

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