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KISS

Love Gun

If you feel kinda queasy

about a boofy geezer

in demon makeup and

pendulous tinfoil codpiece hanging

outside a schoolyard singing

Christine

Sixteen

, wait till you hear the Gene

Simmons demo that didn’t make Kiss’s

sixth studio album in 1977. Paul Stanley’s

high-octane bawl of “You pulled the

trigger of maaaah love gun!” is pure

Wildean sophistication by comparison, but

hey, that’s why every small boy loved Kiss

back in the age of enlightenment. Among

other bonus disc treasures are a Simmons

radio interview, previously unreleased

live tracks, and a fabulous “teaching

demo” of the title track in which Stanley

talks his brothers in greasepaint through

the chords. “When you write songs that

are great, you know it,” he reveals in a

booklet packed with great pics, an early

cover sketch, a track-by-track from all four

members and more. Honestly, there’s so

much to love about this band it’s barely

legal.

Universal Music

JO JO ZEP &

the falcons

Screaming Targets

You gotta keep a footin’ a

footin’ a runnin’ a hidin’ a

what now? Joe Camilleri’s lyrics tended

to serve feel rather than meaning in his

Jo Jo Zep days, but when the band felt

as good as the Falcons, that was enough

to make

Hit & Run

and

Shape I’m In

bona

fide chartbusters. This 2-CD stocktake

of the Melbourne band’s hard-working

heyday rightly emphasises a raucous live

attack via Chuck Berry, Otis Redding,

Jackie Wilson and copious originals. But

the main event remains their sole hit LP

of ‘79: a strange, dramatic r’n’b-cum-ska

beast that borrowed from UK pub rocker

Mickey Jupp and a youngster named Paul

Kelly, but mainly documented Camilleri’s

combustible chemistry with guitarists

Tony Faehse and Jeff Burstin (later to

join him in The Black Sorrows). The

2003 reunion outtakes are remarkably

seamless, and another great

RAM

article

by Jen Jewel Brown completes the

archival gravity of a weighty 37-track

sprawl.

Warner

The Go-Betweens

G Stands for

Go-Betweens

Captain Beefheart

Sun Zoom Spark

Coming Soon

visit

www.stack.net.au

DID YOU KNOW?

US Producer T Bone Burnett has just released

The New Basement Tapes

, adding new music to unearthed Dylan lyrics.

MUSIC

S

ee Bob take out the trash.

Or is he bringing it all back

home?

It’s the cheeky last of several hundred

photographs from the dark year of ‘67,

spread over two hardback books in the

grand revelation of this historic six-disc

set. The lavish coffee table slipcase job

is only apt for what gobsmacked

essayist Sid Griffin calls “the Big Bang of

the musical genre we now call alt.

country.” The progressive pop world’s

trash, see, was Bobby Z’s treasure that

year: arcane tunes and feels of older

musical traditions retrieved over weeks

of jamming with a band soon to be

called The Band in an astonishing act of

underground resistance to

Sgt. Pepper’s

summer of love. The story has been oft

told. The motorcycle accident, the

vanishing act. The not-so-secret retreat

in upstate NewYork. The swathe of old

covers and new Dylan tunes caught on

Garth Hudson’s reel-to-reel recorder; the

leaked bootlegs. The official double

album of ‘75 that barely scratched the

surface. What we have here, at last, are

all 138 takes that could be salvaged: the

missing link between the psychedelic

spirals of

Blonde on Blonde

and the far

stranger (at the time) quasi-biblical and

country flavours of

John Wesley Harding

and

Nashville Skyline

. It’s not all pretty.

Some tunes howl like drunken sailors.

The odd string could use a tuning.

But as Johnny Cash, Hank Williams and

John Lee Hooker slowly give way to

Tiny

Montgomery

,

Million Dollar Bash

and

Quinn the Eskimo

, you sense these guys

might be on to something. There’s r’n’b

and rock’n’roll, church songs and brothel

songs, and

Blowin’ In the Wind

and

It Ain’t

Me Babe

and

She’ll Be Comin’ Round the

Mountain

and

The Flight of the Bumblebee

.

And as always on Planet Bob, a well of

mystery that just won’t run dry.

Columbia/Sony

24

DECEMBER 2014

JB Hi-Fi

www.jbhifi.com.au/music

This month Michael Dwyer is at Big Pink for the ‘Big Bang of

alt. country’ with Dylan and friends, hangs with boofy geezers in

demon makeup, and flies again with the Falcons.

Photo cretit Elliot Landy