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role. The result wasn’t a

success. Fans protested

the incarnation of the

character heatedly. This

was a character most

distinguishable by his

relentless wit, but Hood

had Deadpool’s mouth

sewn shut for half the

movie. A planned spin-off

that would have revolved

around the Deadpool

character was in jeopardy.

Following the negative reception to

Origins

, longtime X-Men series producer, Lauren

Shuler Donner, proposed a re-evaluation of the

character. The idea was to disregard Hood’s

contentious interpretation and focus on the traits

that the comic iteration of Deadpool is famous

for, such as his tendency to break the fourth wall.

Donner enlisted Rhett Reese and Paul Wernick

to write a script. A month into the writing

process, an early draft was leaked online. Fans

responded enthusiastically. It was enough for

the production company, 20th Century Fox, to

concede a small budget for test footage to be

filmed. Donner approached a number of directors

before deciding onTim Miller, in early 2011. Miller

had been nominated for an Academy Award for his

animated short,

Gopher Broke

, and had worked on

the title sequences for

The Girl with the DragonTattoo

and

Thor: The DarkWorld

, but had never directed a

feature film. Miller was given a small budget and was

left to his own devices. After three years, it seemed as

though the project had faded away.

In July 2014, the test footage, created with visual

effects and Reynolds in a motion capture suit, was

leaked online. Fox didn’t sanction the leak. The source

of the online release remains a mystery to this day,

although thinly veiled hints from Reynolds point to

Miller. The footage went viral and fan response was

overwhelmingly positive. It was enough to reignite

studio interest in the character.

“I had meetings on the Fox lot that following

week, and that

Deadpool

footage was all the

buzz,” Rob Liefeld, creator of the Deadpool comics

commented. “It had an impact. You could see it and

feel it in the executive suites. It was palpable.”

Fox gave

Deadpool

the green light and production

went ahead with a $58 million budget, roughly half

that of the average superhero film.

The marketing campaign for

Deadpool

was

unorthodox, reportedly on orders from Miller, who

27

FEATURE

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was keen for the perverse take on the superhero

genre to encompass all aspects of the production.

Initial images of Deadpool showed the character

sprawled in front of a fire on a bearskin rug. One

particularly memorable billboard simply presented

the skull emoticon followed by the excrement

emoticon with an ‘L’ at the end.

Somehow it worked. No one in Hollywood can

quite pinpoint the reason as to the success of

Deadpool

. An exasperated executive from a rival

studio commented that, “They did everything

wrong and it turned out right.”

Perhaps that’s the point. Authority over the

direction of the industry is more ambiguous

than it has ever been. Fans are emerging as a

commanding influence.

Without the fans, and without the internet buzz,

one of Hollywood’s biggest successes of the year

would never have happened. American film is an

industry that can emulate success slavishly while

suppressing individuality. The recent spout of

extended cinematic universes is just one example

of the studio obsession with repeat success. If

Deadpool

has proven anything, it’s that audiences

are craving something unique.

Deadpool

is out on May 25

KICK-ASS

A customised wetsuit, a pair of batons

and a high pain threshold turns average

teen Dave Lizewski into a crimefighter

who kicks ass. (Played by Aaron Taylor-

Johnson in

Kick-Ass

, 2010)

THE CRIMSON BOLT

Arned with a pipe wrench, short-order

cook Frank Darbo tells crime to "Shut

Up!" and declares war on the sleazy

drug lord who seduced his wife. (Played

by Rainn Wilson in

Super

, 2010)

DEFENDOR

Delusional road crew worker Arthur

Poppington trades his tools for a bag

of marbles and a squirting plastic lime

to fight crime and his nemesis, Captain

Industry. (Played by Woody Harrelson in

Defendor

, 2009)

GRIFF THE INVISIBLE

Bullied office worker Griff becomes

a crimefighter by night, clad in an

invisibility cloak that makes him highly

visible. (Played by Ryan Kwanten in

Griff the Invisible

, 2010)

NOT SO

SUPER HEROES