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For more reviews, overviews and

interviews by Graham Reid see:

www.elsewhere.co.nz

7

MUSIC

FEATURE

points in Herbie Hancock and Miles Davis’s

stuttering cut-up funk? So perhaps a better

starting place on this electronic, hip-hop

experimentalist from LA – who is the nephew

of Alice Coltrane – are those earlier albums.

One of the most anticipated names on the

Laneway bill because he could present a set

that divides the audience into ‘genius’ and

‘what was the hell was that?’ factions.

St. Vincent

Four albums in to a career that was always very

impressive but never quite cracking it, the lady

born Annie Erin Clark really nailed it with her

self-titled album last year which was on nearly

every list imaginable. All the elements of edgy

pop and guitar-driven NewWave-references are

there but she too (isn’t this the prevailing trend of

the past five years) has moved firmly into fuzzy,

sometimes discordant electronica. But there’s

also real soul in what this gal from Oklahoma

andTexas (who got her start in the choral pop of

Polyphonic Spree and Glenn Branca’s 100-piece

guitar orchestra, two more different groups you

could hardly imagine) brings. Make the time to

check out her 2009

Actor

album also. Went past

far too many people, that one.

TinyRuins

The debut album by Hollie Fullbrook aka Tiny

Ruins

Some Were Meant For Sea

(2011) is

definitely worth buying, but it is very much

an at-home listening experience. She found

it hard to translate its intimacy to easily

distracted audiences. However last year’s

Brightly Painted One

broadened her musical

palette, brought in a band (Tiny Ruins are now

a group) and the songs should have greater

reach than the front few rows. It also won her

Best Alternative Album at the New Zealand

Music Awards. Both albums appeared in ‘best

of’ lists in their respective years so she’s got

a small but strong body of work – and some

solid international touring miles behind them –

to suggest this could be a highlight of the day.

FKA Twigs

Debut albums don’t come much more

impressive or consistent than

LP1

by Tahliah

Barnett (aka Twigs, and latterly FKA Twigs)

who brings erotica, r’n’b soul and a choral

sound (true) together with smart

beats, electro-soul and some redefining

of the possibilities of studio production.

Music this clever and innovative doesn’t

come often, but you do wonder how

it can be shaped on the day. That’s why

we have Laneway.

Little Dragon

Sweden is really pumping out the talent

from the hippie-trippy world music vibe

of Goat to Lykke Li and any number of

pop stars (Robyn). This electronica outfit

caught a lot of attention for their second

and third albums (

Machine Dreams

in 2008

and

Ritual Union

of 2011) but last year’s

Nabuma Rubberband

didn’t seem to get the

same traction here. Or indeed anywhere,

if you look at ‘those lists’. However it was

nominated for the Best Dance/Electronica

category at the Grammys. Expect them to

sideline some of their more home-listening

experimental stuff in favour of the banging

pop-electronica end of their spectrum.

That would be sensible.

FKA Twigs

Tiny Ruins

Flying Lotus

St Vincent