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10

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MUSIC

FEATURE

SUMMER EDITION 2015

JB Hi-Fi

www.jbhifi.co.nz

Given the ascension of Pond internationally,

it’s little wonder Allbrook left his old band:

Pond supported Arctic Monkeys on a sojourn

through UK arenas in 2014, and played major

festivals Primavera (Spain and Portugal) and

Field Day (UK). All this after the NME called

them ‘the hottest band in the world’, 

which is both a blessing and a curse.

“The British music press is a fire-breathing

chimera,” he remonstrates, breathing out more

than just a little. “I didn’t even realise what was

stressing me out so much, when we went back.

I was feeling really nervous and scared. I didn’t

want people to see me, I’d got that in my head

that everyone had this sort of weird image of

Pond as that. We all changed pretty quickly

and, you know, I certainly am not the same

person who was in that band who got awarded

‘the hottest new band’.

Allbrook, while having grown up in Western

Australia, isn’t a Perth native and thus a city

boy; far from it. Allbrook grew up in Derby, in

far flung North-West climes of WA, closer to

the Timor Sea than the Indian Ocean; a scant

and scabrous collection of streets inland from

the ocean, where music was hard to come

by. Allbrook grew up in a headspace of the far

away places of Australia few in the world really

know, and as he gets older, despite his prolific

work rate, he’s beginning to wonder

what it all means.

“I’ve lost that head-in-the-sand, balls-out-of

your-fly-confidence,“ he admits. “I’m thinking

more stupid old paranoid person things: you know,

‘what it means’. What is my point as a homo

sapien? Should I be burrowing around naked in

a forest? Or should I be helping the world? Or is

the world not worth being helped? Have we cast

ourselves into the fire already?”

Don’t be fooled by Pond’s trippy visage and

space-trawling vibe: they’re hard workers

– see the six albums in seven years for starters.

But maybe that’s a sign of the times – everything

is faster, the media cycle amplified tenfold by

social media, the globalisation of information,

not just economies, cutting the 15 minutes of

fame down to 15 seconds.

Allbrook concurs. ”When the flow of thought

gets to such a speed that the hurricane of

information collapses in on itself, does it go

to some sort of singularity? Or does it all just

explode and scatter out again?”

Man It Feels Like Space Again

by Pond is released January 23

Does the cover of ‘Man it Feels Like Space

Again’ look vaguely familiar?

In 1968, Big Brother and the Holding Company (with one Janis Joplin

on vocals) released the album

Cheap Thrills

.The band had posed naked

in bed together for a cover, but it was rejected by their record company.

The solution lay in the underground comic art of Robert Crumb (Joplin

was an avid fan), whose graphic illustration went down in history as

one of the greatest album covers ever designed. In Ben Montero’s 2015

homage that graces the cover of

Man It Feels Like Space Again,

hair,

gurus and walking digits are replaced with space travellers, pollution,

radiation, stargazers …and Elvis, of course.

Waiting Around

for Grace

It’s only track one and we’re traversing

the galaxy in a clapped out cardboard

cut-out space cruiser, avoiding bad

trouble, but ensuring there’s plenty

of the good kind on offer. Kooky keys,

it’s shimmery in all the best places

and bright spots.

Elvis’ Flaming Star

Southern rock of the stratospheres,

this is fried chicken and beer for the

soul; stompin’ and ready to fly, it’s a

funked-up hop through a Presley solar

system. Bring back Elvis, indeed!

Heroic Shart

A woozy, phased out, shimmering

wobble that threatens to fall apart

completely at times, but always manages

to snake off in yet another fascinating

direction. Hits full propulsion by the end.

Man It Feels Like

Space Again

The album closer is a few songs in one:

it begins as a vaguely Beatle-esque

rummage around the basement, then

sprouts out of the ground for some

vaguely reflective, psychedelic whimsy

and exploration. Dispensing with a

vaguely Floydian sheen, it hits the

straps and slows again once it hits

the eight minute mark.

continued