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My wife calls me a Blu-ray snob because I prefer to watch my films
on that format. I disagree. I do watch DVDs – the majority of advance
press screeners that we receive from studios for review are on this
format (not to mention heavily watermarked). But for blockbusters, or a
classic from Hollywood’s illustrious past, there’s only one way to watch
it – on Blu. A cinemaphile for as long as I can remember, it’s not just
the High-Def visual and audio experience that draws me to Blu-ray, it’s
all the extras that I obsessively scrutinise for every detail of information
I can find about the film I’ve just seen. Blu-ray now has a monopoly
on bonus features like director commentaries, behind-the-scenes
documentaries and deleted scenes, which makes recent fan favourites
like
Deadpool
and
Star Wars: The Force Awakens
all the more essential
on Blu. Moreover, the collectable nature of the format makes it the
perfect fit for limited edition Steelbook packaging on selected releases,
which you’ll only find in JB stores. Until the uptake and range of 4K
UHD titles increases, Blu-ray remains the benchmark for High-Def
home entertainment.
Paul Jones, Editor-in-Chief
Founder
Nic Short
Editor-in-Chief
Paul Jones
Film & DVD Editor
Scott Hocking
Music Editor
Zoë Radas
JuniorWriter
Alesha Kolbe
Creative Director
Justin Buxton
DVD Consultant
Michelle Black
Games Consultant
Andre Eivik
Music Consultants
Mike Glynn, Fleur Parker
Tech Consultant
Chris Allen
Chief Contributors
Bob Jones
,
Amy Flower
Contributors
John Ferguson, Graham Reid,
Michael Dwyer, Jeff Jenkins,
Emily Kelly, Simon Lukic, Chris Murray, Billy Pinnell,
Denise Hylands, Simon Winkler,
Gill Pringle, Ryan Huff, John Roebuck, Judy Ewens
Social Media Manager
Sally Carlier-Hull
Photographer
Chip Mooney
Production Manager
Craig Patterson
Accounts Coordinator
Tracy Kingman
Correspondence
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Issue 140
JUNE
2016
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