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Dougy Mandagi and Joseph Greer say the theme of camaraderie came about quite by chance;

but it's fitting for a leaner Temper Trap's third record,

Thick AsThieves

.

By Zoë Radas

TRIMMING

THE

TRAP

M

ucking with electric knobs, a vocalist

refusing to sing,

Takeshi’s Castle

, Gaga

looking good, a studio space next to

Mark Ronson, a near-miss on an LA highway, an

Instagram snap that became a subconscious

symbol, and songs whose skins can be

expanded to embrace a stadium: the

conversation with Dougy Mandagi and Joseph

Greer about The Temper Trap’s new album

Thick

As Thieves

flows easily, which isn’t a small

achievement considering these two just played

a sold-out hometown show last night. “We’ve

been busy, yeah, the last few days,” vocalist

Mandagi smiles wearily over his glass of water.

In addition to gigantic singles

Fall Together,

Thick As Thieves

and

Burn

traversing the

airwaves, these shows have given Temper Trap

fans – rabid with curiosity – an idea of which

direction the now four-piece would take, having

shed lead guitarist Lorenzo Sillitto in late 2013.

“The objective was to really understand the

purpose of each part and be very intentional,”

Mandagi explains, “not just have someone do

something just because they’ve got nothing

else to do. I’m not going to start doing vocal

acrobatics just ‘cause. I think that each of

us should always serve the song, not serve

ourselves. There’s an art to understanding that,

to being sensitive to the song.”

This deliberate, “leaner” approach coincided

with a period of songwriting collaboration for

the band, which took them from their own

Tileyard studio in London – a creative arts

community in King's Cross, which is host to

the away-from-home studio for Mark Ronson,

among other musicians – to the States and in

between. “You still want to have the DNA of

the band – when we play [a track] together,

we're still conscious of it being a Temper

Trap song,” says keys and guitar player Greer.

Mandagi adds: “There are collaborators that

help you come out of your shell or help you

write, and there are writers that just want to

write for you.” He tells a brief story about an

unnamed ‘collaborator’ in LA who asked him

to play bass on a song. “He goes, ‘Don’t play

it like that, play it like this.’ I’m not even a bass

player!” “He thought he was getting a session

musician,” Greer chuckles. Mandagi continues,

throwing his arms into the air: “What the f-ck,

man, I drove all this way, and nearly got into

an accident on the freeway ‘cause I’m used to

driving on the other side of the road! So yeah,

I’ve seen and experienced a whole gamut of

different types.”

Thick As Thieves

’ songs are an engaging mix,

with huge ‘arena-ready’ tracks up at the

visit

stack.net.au

MUSIC

FEATURE

10

jbhifi.com.au

JUNE

2016

MUSIC

Each of us should

always serve the song,

not ourselves