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JANUARY 2015

JB Hi-Fi

www.jbhifi.com.au

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www.stack.net.au

A

black and white picture of two bowler

hats hanging on the pegs of a hat stand

is projected onscreen. It is

accompanied by the quirky, off key opening

bars of the “Cuckoo” musical theme that is

immediately recognised by the audience, and

even before the main title appears, they

begin to smile. When they read the title: Hal

Roach presents Stan Laurel and Oliver Hardy,

the audience are now quietly chuckling in

anticipation of watching two reels of

innocent-yet-hilarious slapstick delivered by the

most famous and popular comedy duo in the

history of movies.

It is now over 90 years since a slim English

vaudevillian and a rotund Southern American

gentleman first appeared together in a silent two-

reel short. But through the mediums of cinema,

television, video cassettes and DVD releases,

their comedy antics have been enjoyed by

generations of viewers and celebrated by legions

of fans. So who were Mr. Laurel and Mr. Hardy,

the duo who hid behind their screen personas of

“Stan & Ollie”? And how, with the Atlantic ocean

separating them, did their successful partnership

come about?

Stan Laurel’s birth certificate stated his name

as Arthur Stanley Jefferson. He was born on 16th

June 1890 in his grandmother’s house in the

small town of Ulverston in Lancashire, England.

His father, Arthur Snr., ran a number of theatres

in the North of England and from an early age

young Stanley (as he was known to his family)

was smitten with the smell of greasepaint and

the various music hall acts that he would watch

offstage from the wings. His fascination with all

things theatrical caused him to frequently play

truant from school, preferring to hang around

theatres observing the cast rehearse and talking

to the stagehands. Consequently, his education

began to suffer, prompting his father to send him

off to boarding school where he hoped the boy

would be taught strict discipline. However, what

his son learned there was definitely not part of

016

the school curriculum.

The young lad knew how to make people

laugh by imitating any number of the comedians

he had watched on stage, which in turn made

him very popular with his classmates – but not

with his tutors. When he finally left

school with no qualifications, young

Stanley’s personal ambition was to be a

music hall comedian. He styled his act

on his idol, the music hall star Dan Leno,

and Stanley’s natural comedic talents

and broad Lancashire accent soon won

him various roles in local music hall

reviews and Christmas pantomimes.

In 1909 he secured a position with

the Fred Karno Company. Karno was

the outstanding comedy impresario of the British

music hall, and to be selected for his travelling

troupe was a great achievement for young

Stanley Jefferson. The new recruit began a

tour of England with the company, where he

met a young man who would become a great

influence on him. That man was Karno’s top

music hall star, Charles Spencer Chaplin.

The two youths became friends and

appeared together in a number of Karno

sketches. One such act, titled “The Wow

Wows”, was particularly devised to play in the

United States when Karno and his Company

crossed the Atlantic in RMS Cairnrona in 1910 to

tour the American Vaudeville circuit.

The troupe undertook a second tour of the US

in 1912, where Chaplin was again the lead comic

and Stan his understudy in the review titled

A

Night in an English Music Hall

. Chaplin received

rave reviews and was offered a $150.00 a week

film contract with Mack Sennett’s Keystone

Studios, based in Hollywood. Chaplin accepted

and began what would become his meteoric

EXTRAS

The young Stan Jefferson

based his act and looks on his

idol, Music Hall star Dan Leno

Dan Leno

The Fred Karno Company sail to the US in 1910 (Stan Jefferson, far

left sitting on the deckchair. Charlie Chaplin posing with a lifebuoy.)

Part 1