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Jethro tull

War Child 40th

Anniversary

”I was flying by the seat of

my pants,” Ian Anderson

sheepishly admits. Folly, obviously, in

tights and codpiece. Hence the stillborn

fate of Jethro Tull’s 1974 film-musical,

War Child

. John Cleese was going to

write it. Donald Pleasance volunteered

to play God. Dame Margot Fonteyn was

up for a ballet cameo. What remains of

the mooted project is spread over four

fascinating discs and 80 belief-beggaring

pages here, including bits of Anderson’s

“conceptual treatment” and ten quite

lovely orchestral tracks, fully realised

by arranger David Palmer. Nine appear

for the first time on this epic prog-folk

revelation. A dozen more “associated

recordings”, DVD video and 5.1 audio

complete a stunning act of rock’n’roll

overreaching from the days when bricks

were thick as. Prog’s go-to remix guy

Steven Wilson ensures the original 10

tracks – amply distinguished by

Bungle

In the Jungle

,

Skating Away

and

Only

Solitaire

– come up glittering like the

Melbourne skyline inexplicably

featured on the cover.

Chrysalis/Universal

Robert Wyatt

Different Every Tim

e

There’s one thing that

remains the same on

Different Every Time

. Sure

,

it’s a hell of a twisty ride

from the 19-minute serve of sweetly

meandering Soft Machine weirdness

circa 1970 to

Submarine

, from Bjork’s

a capella

Medulla

project. But the guy

with the spooky reed where his voice

should be is such an elegantly eccentric

ingredient to the whole UK prog-art-jazz-

Latino punch, that everything he touches

comes up Robert Wyatt. Disc one of

this essential retrospective,

Ex-Machin

a,

swerves through the tragicomic plea of

Matching Mole’s

God Song

via the bent

music hall of

Yesterday Man

to a choral

waft of his last solo LP,

Comicopera

. Disc

two,

Benign Dictatorships

, samples a wild

range of guest appearances including

Cage, Eno, Manzanera, Floyd’s Nick

Mason, Elvis Costello’s

Shipbuilding

and

Hot Chip’s

We’re Looking For a Lot of

Love

. For fans it’s a handy marshalling

of disparate material; for adventurous

novices, a vital invitation from your next

favourite mad uncle.

Domino/EMI/Universal

Metallica

Kill ‘em All

Led Zeppelin

Physical Graffiti

Coming Soon

visit

www.stack.net.au

DID YOU KNOW?

Jethro Tull’s Ian Anderson has written a beginner’s guide to Indian cuisine, available only on the internet.

MUSIC

W

hat’s Your 20

is a fine way to

celebrate Wilco’s 20th birthday.

The generous anniversary

package has two discs and 38 songs:

some of the best bits from eight albums

going back to the raggedy alt-country of

I Must Be High

through to the skewed

riff-pop of

Born Alone

. It stops by the

Billy Bragg/Woody Guthrie/

Mermaid

Avenue

homestead and the Beatlesque

glow of

Summerteeth,

and wedges in a

good half of the benchmark that made

a damn fool of the American music

business and roused an indie cult to

critical mass,

Yankee Hotel Foxtrot

.

But somehow, with this band, it

seems more fitting to take the road

less travelled.

Alpha Mike Foxtrot

tells

the same story from a parallel universe:

a four-CD slipcase job with most of the

same tracks represented in demo or

live incarnations and, in the words of

producer Cheryl Pawelski, “almost

every unique, essential performance that

appeared on soundtracks, tribute albums

and B-sides.” Cue, for instance, Wilco

covers of Big Star, Neil Young, Gram

Parsons, Ernest Tubb, Bob Dylan, Nick

Lowe, Daniel Johnstone and Steely Dan.

Steely Dan!? “I don’t know,” Jeff

Tweedy reflects in his track-by-track

notes, “I wouldn’t want to listen to this

song.” He’s equally unguarded about the

rest.

Bong Session

dictaphone demos of

Childlike and Evergreen

and

Someone

Else’s Song

summon anecdotes that are

hugely revealing about his ambition and

process. His personal notes of pride and

disappointment comprise a mosaic of

deliberate intentions and brave gambles

throughout. One-off collaborations with

Syd Straw, Fleet Foxes, Feist, Roger

McGuinn, Andrew Bird and the Blisters

speak for themselves. The rest of the

story, from the demise of Son Volt to the

extraordinary bond Wilco has nurtured

with a passionate global audience, is told

in hype-free and intelligent style by band

members, associates, and a ton of

photos.

Warner Music

14

JANUARY 2015

JB Hi-Fi

www.jbhifi.com.au/music

This month Michael Dwyer helps Wilco celebrate 20 years,

reassesses a Jethro Tull curiosity, and spends time with Robert Wyatt.