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Page Background W

atching a character grow up on screen is not uncommon

o

n television, whether it be soap operas or long-form

d

ramas like

Mad Men

or

The Sopranos

. But it’s not

s

omething that would seem to be possible for a feature

fi

lm… until now. The new film from indie icon Richard

L

inklater (

Dazed & Confused

) was shot over a 12-year

p

eriod and charts a young boy’s progress from a six-year-

o

ld to late adolescence. Ellar Coltrane is a revelation as the

k

id who literally comes of age on screen, and he is well

s

upported by Linklater regular Ethan Hawke and Patricia

Arquette as his estranged parents; incidentally his sister is played by the

director’s own daughter, Lorelei. By focusing on the ordinariness of life,

Linklater has fashioned an enthralling and utterly believable family saga –

forget reality TV, this is the real deal. • See page 44

12 years in the making.

BOYHOOD

Robert Downey Jr. takes a break from big budget action

heroics for this more intimate legal drama, the first from

his new production company. He plays Hank Palmer, a

brilliant but arrogant lawyer who reluctantly returns to his

small-town family home for the funeral of his mother. Hank

has long been estranged from his father Joseph (Robert

Duvall), a flinty local judge who pretty much treats his kids

as if they are appearing before him in the courtroom. When

the judge is arrested for the hit and run killing of a recently

released murderer he had sent to prison, Hank insists on

representing him, but cannot understand why his father seems intent on

sabotaging his defence. More a family drama than a legal thriller,

The Judge

will nevertheless go down a treat with John Grisham fans, with Downey Jr.

and Duvall making for a formidable double act. • See page 46

Family law.

THE JUDGE

056

visit

www.stack.net.au

REVIEWS

DVD&BD

Format:

Release Date:

26/02/15

Format:

Release Date:

11/02/15

FEBRUARY 2015

JB Hi-Fi

www.jbhifi.com.au C

alling a show

Penny Dreadful

(in homage to the British

p

ulp publications of the 19th century) leaves it wide open to

c

ritics' double entendres should it fail to deliver. Fortunately

t

his gothic horror series, created by screenwriter John

L

ogan (

Gladiator

,

Skyfall

), will satisfy those looking for

m

ore high quality genre TV. The setting is Victorian London,

w

here explorer Timothy Dalton is searching for his missing

d

aughter with the assistance of a medium (Eva Green),

a

n American gunslinger (Josh Hartnett) and a doctor

n

amed Victor Frankenstein (Harry Treadaway). Vampires,

demons and other classic horror characters make guest appearances. So

if you're after a stylish series that combines elements of

Supernatural

and

American Horror Story

, with an adult approach, a quality cast and impeccable

production design, then spend a penny on this one.

Victorian horror story.

PENNY DREADFUL:

SEASON ONE

Peter Capaldi's first festive outing is one of the

best

Doctor Who

Christmas specials in years – and

surprisingly, the first time the Doctor has encountered

Santa Claus (a perfectly cast Nick Frost) in the show's

50-plus years.

Last Christmas

is essentially a 'base

under siege' episode (a

Who

staple), in which the

Doctor and Clara arrive at an arctic outpost where

the crew have uncovered something alien. It's also

an uncharacteristically creepy Christmas special,

borrowing from

Alien

,

The Thing

and

A Nightmare on

Elm Street

, but the whimsical presence of the fat man and his elves

ensures younger viewers won't be too spooked. Moreover, if you

think Santa meeting the Doctor is a bit cheesy, his presence makes

perfect sense once the central mystery is revealed. • See page 48

A touch of Frost.

DOCTOR WHO: LAST CHRISTMAS

Format:

Release Date:

04/02/15

Format:

Release Date:

28/01/15

DRAMA

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