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FEATURE

S

ince his first appearance in Merrian C.

Cooper and Ernest B. Schoedsack’s

groundbreaking 1933 classic

King

Kong

, the mighty ape has stamped his

simian footprint into popular culture and been

reimagined for subsequent generations,

including two remakes and even a stage

musical.

Now the King has returned in the action-

adventure

Kong: Skull Island

, directed

by Jordan Vogt-Roberts and produced by

the team who resurrected another iconic

monster in 2012 – Godzilla.

“Kong represents all the mystery and

wonder that still exists in the world,” says

Vogt-Roberts. “That’s why he will never stop

being relevant.”

The director also acknowledges that

with reviving a great monster, comes great

responsibility. “Kong is film history. Kong

is where special effects came from and

when genre went mainstream,” he says.

“It’s an enormous responsibility and also an

enormous honour to tell a new story within

that mythology. We’ve seen the old story

over and over again, the beauty and the beast

angle, so it’s a huge responsibility.”

Kong: Skull Island

is a different beast to

the remakes by John Guillerman and Peter

Jackson. There’s no Empire State Building

or exploitation of the ‘Eighth Wonder of the

World’ in this new take, which unfolds on

Kong's titular stomping ground and offers an

exciting expansion of the mythology.

“Kong is an adolescent when we meet

Hail to the King! It's time to go ape as screen

royalty returns for a major monster mash in

Kong: Skull Island

.

Words

Adam Colby