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CARIBBEAN EXPORT DEVELOPMENT AGENCY - CREATE

04FILM&Animation -STATEOFFILM

DR. BRUCE PADDINGTON

FOUNDER OF BANYAN

PRODUCTIONS & THE CARIBBEAN

FEDERATION OF FILMMAKERS

CONTRIBUTOR

INDUSTRY INSIGHT – FILM

THE

STATE

OF

FILM

Lights! Camera! ...Time for action! The stage has been

set and the crews are in place eagerly awaiting the

directors to issue the proverbial call for “action” to

the Caribbean region’s film industry. Slowly growing

in interest and encouragingly attracting the attention

of respective governments across the region, the

Caribbean’s film industry’s prospects appear to be

looking up but a great deal is still left to be done. The

argument is, are we aware of how much needs to be

done and are we even doing what needs to be done?

If ever there be a doubt about the impact of the film industry let’s

consider for a brief moment the region’s key source market for tourist

arrivals – The United Kingdom. Despite an ongoing recession, UK film

contributes over £4.6 billion to UK GDP and supports over 117,000 jobs

(up from 100,000 in 2009). Further more, films depicting the UK are

responsible for generating around a 10th of overseas tourism revenues,

estimating that around £2.1 billion of visitor spend a year is attributable

to UK film, according to an Oxford School of Economics study. Of course

some might argue that with all the established infrastructure, big

studios, corporate support and sheer size of the UK market, achieving

those numbers are very much incomparable to anything possible in the

region. Maybe so, but there is a greater opportunity for GDP contribution

and it resides in the independent film value chain among others.

Most of the big budget films which are produced in the bigger markets,

like the US and to some extent the UK are done through studios. In

this system, a film is often developed, produced, distributed and

exploited without leaving a single integrated company or consortium:

a simple corporate value chain. However the independent feature film

production and distribution sector provides a value system business,

in that a feature film is not made and delivered to its final audience by

a single company. Instead there is a chain of companies, businesses,

and freelancers, all working on different elements of the production

and exploitation process, and adding value in different ways along

the chain. This expands the economic impact of a single production

to support many smaller private entities. Therefore the domino effect

of independent film production is unmistakable. Getting the elements

right to support this kind of production is where the region continues

to work at perfecting.

Dr. Bruce Paddington, the co-designer and coordinator of the B.A.

Film Programme in the Faculty of Humanities and Education and

the University of the West Indies, establishes that film in the region

already has a rich and vast history dating back to the 1950s in Cuba.

Dr. Bruce Paddington is an

award-winning filmmaker,

founder of Banyan Productions

and the Caribbean Federation

of Filmmakers. He has directed

and produced over 500 films

and television programs during

his acclaimed career. His

most recent production, the

documentary “Forward Ever:

The Killing of a Revolution”, is

based on the historic account of

the paramilitary attack on the

government of Grenada resulting

in its overthrow by political

revolutionary Maurice Bishop

in 1979. The film is scheduled

to premiere at the Trinidad and

Tobago Film Festival in September

2013. Dr. Paddington is the

Founder and Director of the

Trinidad and Tobago Film Festival.

Currently the co-designer and

coordinator of the B.A. Film

program in the Faculty of

Humanities and Education, The

University of the West Indies,

Dr. Paddington has taught film

and communications and guest

lectured extensively at various

universities. He has published

many journal articles on

Caribbean and Latin American

Cinema, including interviews with

the Cuban director Humberto

Solas and the Mexican director

Francisco Athie. He is also an

accomplished photographer,

teaches photography at UWI and

has had three solo exhibitions.

1

Olympic Atheletes featured

in documentary, Built to Last,

Andrew Lewis, Sailing - Trinidad

& Tobago

Karle Marte, Women’s

Volleyball - Dominican Republic