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Thursday, May 11, 2017

arts

&enter tainment

What's on this week– 35-42

An artist’s process explained

– 37

Welcome to the sculpture zone

– major two-site exhibition 39

Comic book Guardians

return for

Volume 2

film review –42

ARTS & ENTERTAINMENT

ONE of the shining lights of the British

folk scene, vocal harmony trio Lady

Maisery perform at Arlington Arts

tonight (Thursday, 8pm).

Underpinning every performance are

Lady Maisery’s distinctive harmonies;

sometimes lush and rich, sometimes

dark and invigorating, they intertwine

with assured precision. The trio are

also one of the foremost English

proponents of mouth music or

‘diddling’ – a form of singing without

words, once common in England and

still found across parts of Europe. Many

songs are accompanied by a rich

tapestry of Rowan’s fiddle, banjo and

bansitar, Hazel’s harp and concertina

and Hannah’s accordion and foot

percussion.

Visit

www.arlingtonarts.co.uk

Folk

THE Watermill’s powerful production of

Romeo + Juliet

has returned to

Newbury until Saturday, before touring

nationally and internationally alongside

Twelfth Night

. Shakespeare’s immortal

tale of an all-consuming love is

reimagined in a contemporary setting

and features the same cast of actor-

musicians who recently performed the

successful

Twelfth Night

, inspired by

the 1920s jazz era.

Romeo + Juliet

features a dynamic selection of

energetic folk and rock music

performed live by the cast, with fresh

interpretations of familiar songs by

Mumford and Sons, Johnny Flynn, The

Vaccines, The Civil Wars and Hozier.

Visit

www.watermill.org.uk

Shakespeare

BBC RADIO 4 comedy duo Croft and

Pearce perform their new show,

Croft &

Pearce Are Not Themselves,

at New

Greenham Arts on Saturday. After a

total sell-out run at the Edinburgh

Fringe, they launched a podcast with

their hit characters June and Jean, and

are now back on the road with a whole

host of entertaining new character

combinations. Catch these award-

winning comedians, who bring their

hilarious new sketch comedy show to

Newbury for one night only. Visit

www.cornexchangenew.co.uk

Comedy

p

EDITORIAL: Trish Lee

edits the

Arts pages. If you have Arts news,

diary dates and pictures, send her an

email at:

trish.lee@newburynews.co.uk

p

ADVERTISING

: For advertising

inquiries and bookings in this section,

telephone the leisure team on (01635)

550444

Contact us

On the web

p

For daily local Arts & Entertainment

news online, log on to

www.newburytoday.co.uk

and click

the link to ‘Entertainment’

Show how

much you

love your

Corn

Exchange

Newbury Spring Festival opens with big orchestral concert

Newbury Spring Festival

Bournemouh Symphony

Orchestra: The Dream of

Gerontius,

at St Nicolas’

Church, on Saturday, May 6

Angels and demons launch

town’s music festivities

BOURNEMOUTH Symphony

Orchestra, Newbury Spring

Festival Chorus, and Choros, with

mezzo Caitlin Hulcup, tenor Gwyn

Hughes Jones and baritone Morgan

Pearse, under conductor David

Parry, opened the 39th Newbury

Spring Festival with one of the

cornerstones of British choral

music.

Elgar’s

The Dream of Gerontius

was

composed in 1900 to Cardinal

Newman’s long, beautiful and highly-

accessible poem of 1865, a profound

and compelling meditation on the

ecstasy of Christian faith, which

Elgar used as a declaration of his own

Catholicism. It tells how the faithful

Gerontius, after initial confidence in

the after-life, is made to doubt by a

chorus of Demons, has his faith

restored by Angelicals and finally

achieves immortality through the

intercession of the Angel of Agony.

The role of Gerontius was convincingly

sung, floated, affirmed and declaimed

by Gwyn Hughes Jones, with ringing

high notes and appropriately operatic

delivery. Caitlin Hulcup was a

passionate and lush-voiced angel and

Australian baritone Morgan Pearse

an imperious and authoritative Priest

cum Angel of Agony.

The Festival Chorus, perched as ever

in the far reaches of the apse, was in

finest voice throughout, delivering

their multiple roles with silvery

encouragement or alarming menace,

as required. Their chorus master

Janet Lincé is stepping down after 17

years. She leaves with the gratitude

and admiration of all concerned.

It was a beautiful, uplifting,

compelling and dramatic account of

this sublime work. Even the most

agnostic of us would have left the

church cleansed and touched by its

conviction. But there were two

significant shortcomings. There was

no text printed in the programme

booklet, so that many (according to my

audience research in the interval) had

no idea as to the function of the choir,

or indeed what had occurred in the

first half. It was disconcerting that

orchestra, choir and soloists had

played and sung their hearts out with

perhaps less than half the audience

knowing why.

Then, as in his Wagner/Verdi concert

a couple of years back, I was unable to

relate the whirling gestures of

conductor David Parry to the music.

But nor, it seems, could the fine and

experienced players of the BSO, to

judge by some obvious lapses of

ensemble.

And how frustrating for the choir, after

so much committed and rigorous

rehearsal with the superbly precise

Janet Lincé, not to be offered the clear

and steady beat they so need to give of

their best.

CHARLES MEDLAM

It was a beautiful, uplifting,

compelling and dramatic

account of this sublime work.

Even the most agnostic of us

would have left the church

cleansed and touched by its

conviction

FURTHER to the news that

West Berkshire Council has been

forced to reduce Corn Exchange

funding by £78,000 over the next

two years, the centre has

launched a fundraising

campaign, Love Your Corn

Exchange.

Funding from the council is

specifically to fund the activities

at the Corn Exchange and, as a

small arts charity, it needs to

urgently raise £25,000 to manage

this reduction. Project funding to

launch the Learning Centre and to

develop 101 is ring-fenced to deliver

these projects and therefore cannot

be diverted to manage the funding

gap for the Corn Exchange.

A suggested donation of £10 (simply

amend the denomination to donate

more or less) will be matched

pound-for-pound by Arts Council

England and can you donate by:

p

Phoning the box office on 0845

5218 218. Calls will cost 2p per

minute plus your telephone

company’s access charge

p

Giving online at

www.cornexchangenew.com/donate

p

Texting CORN15 £10 to 70070

p

Sending a cheque to Love Your

Corn Exchange, Corn Exchange,

Market Place, Newbury, RG14 5BD

Last year the campaign raised more

than £12,000 in six weeks. This was

a crucial lifeline for the Corn

Exchange to continue its activities

and services.

By working together, you will be

helping the Corn Exchange to

continue making a positive impact

in your community.

Bournemouth Symphony Orchestra

Newbury Weekly News