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REVIEWS

CINEMA

D

aniel Craig’s fourth outing as James

Bond will no doubt surprise. Not

so much in plot revelations (we all

kinda know which way it’s heading after

the first 15 mins), but rather in tone and

mood. It’s a ballet of iconic cliché and

dramatic style, rather than the mosh pit of

fury we witnessed in

Casino Royale

and

Skyfall

. In fact,

Spectre

feels like a swan

song; an apt finale to Craig’s emotionally-

driven tenure as the world’s most famous

secret agent, if he indeed hangs up the

tuxedo for good after the dust settles.

Opening into the intoxicating and

congested macabre party atmosphere of

Mexico’s Day of the Dead (a metaphor

for the entire film), it’s clear Bond is on a

personal hunt, perhaps even a vendetta.

A chase and a quite literally off-its-head-

thrilling helicopter set-piece then limps

into one of the most mismatched opening

credit sequences in the entire Bond legacy

– whoever green lit that crappy song

should be shot, twice. Moving on, it’s

quickly revealed that Bond was working

rogue and is desperate to uphold the

previous M’s legacy. But what he doesn’t

know is it’ll lead directly to the source of

his entire, never-ending stream of death

and misery.

Spectre

tries to achieve quite a

lot; establish serious gravity to 007’s

secret past, offer a compassionate and

somewhat lonely take on a man who kills

people for a living, drive the message

that not all progress is a good thing, and

ultimately deliver an action-adventure film

befitting the franchise’s enviable canon.

Director Sam Mendes mostly

succeeds. Mostly. What fails in areas of

gritty action (a car chase through Rome

involving the much lauded Aston Martin

DB10 and a new Hot Wheels-looking

Jag is almost laughable, akin to a Roger

Moore pantomime) is made up for with a

sly wit and indie-style banter. Ben Wishaw

pretty much steals the entire film as Q.

Yet forgiving its missteps is easy every

time Craig is on screen and up against

the “I told you so!” enjoyable frankness

of pure evil that is Christoph Waltz, as

Spectre’s Godfather figure.

This isn’t an instant classic like

Casino

Royale

or

Skyfall

, but it’s got that certain

something that makes you leave the

cinema with a fondness and appreciation

for the mysterious multi-layered onion

James Bond has become. Go in with

lower expectations and you’ll be rewarded

with an off-kilter chapter in 007’s

seemingly never-ending book.

Chris Murray

FURTHER VIEWING:

Casino Royale

,

Skyfall

A slower but deeper 007 adventure that narrowly misses the target, but still shoots to kill.

SPECTRE

RELEASED:

Now Showing

DIRECTOR:

Sam Mendes

CAST:

Daniel Craig, Christoph Waltz,

Léa Seydoux

RATING:

M

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34

jbhifi.co.nz

DECEMBER

2015

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