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Adam Thorpe

56

a whisper. You can’t do a

falsetto, whispering.

‘Jasper!’ She slaps him on

the thigh as he laughs, the

rest of the train frowning

and muttering (or so she

imagines again, she can’t

see them: it is like a vintage

film in her imagination,

the random people all

pretending to be Muggles

with rolled-up umbrellas

and hats and ugly coats.

Except for one, knitting,

with a little grin). ‘I don’t

like your fantasy, hey.’

‘Oh, c’mon, c’mon.’

‘What, c’mon?’

‘Chill the fuck out, Suze.’

A proper snarl. And he is

glaring at her as if she’s his

enemy. He likes making

enemies because he says

it makes life more amusing

and if you are stressed

you can instantly take it

out on someone. Crabs in

a bucket, the art world.

She’s just gonna be nice

to

everyone

. Especially

foreigners.

She is clinging to his woolly

jumper’s sleeve. Then

his fox eyes switch to the

window, past her own face.

She follows the glance,

heart still pounding in

shock, smelling his sleeve

under her fingers: honey

and marker ink and dope

over a sour mustiness

like her gran’s attic or old

cake or her mum’s stale

cinnamon biscuits in a tin.

How did it get dark? Like, is

the day on a switch now?

Progress! He isn’t looking

outside, he is looking

at himself, reflected, a

bit skeletal in the glare.

Surprise surprise.

She reallymissesGran right

at this moment, who’d

always be hunched over

her cigarette, coughing

and cackling, glass of