HISTORY OF ROSENBORG CASTLE
129
I
R
o s e n b o r g
c a s t l e
,
in
„
k o n g e n s
h a v e
“,
COPENHAGEN, is one of the few Renaissance
i castles in Europe, that have stood intact ever since
they were completed. Of all the buildings of King Christian
the Fourth, it was perhaps the one that he loved most and
to which he commanded that he should be taken in the
winter of
1648,
when his last hour was approaching; he
died in the North Room on the ground floor, in the so-called
„Winter Apartment“, in which to this day the
„1615“
fire
place and the magnificent panelling with the many Dutch
paintings are still preserved. Here it was, too, that Christian
the Fourth
(1634)
received Count d'Avaux, the ambassador
of the King of France, and regaled the company with the
music of the court orchestra and choir, who played and
sang below, the king being able, by means of one of his
own contrivances, to admit and cut off the sound at will.
On the whole, Rosenborg was a place where life was plea
sant and, according to the possibilities of those days, snug.
I t was formerly believed, that Rosenborg had been built
to a collective plan (1610—1617) in the form as we now see
it — this date being altered later to 1608—1617 by Bering
Liisberg, the last historian of the edifice (1). In point of fact,
the work was, however, already commenced in 1606, and the
(1) Rosenborg og Lysthusene i Kongens Have, 1914 (out of print).




