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Eternal India

encyclopedia

LURE - THRU THE AGES

Pre-Harappan Cultures

Mehrgarh (Chalcolithic) Kot-Diji I:

3400-3000 B.C.

Sothi and Kalibangan I

: 3100-2800 B.C.

Harappan Culture

Mohenjo-daro : 3100-1900 B.C.

Lothal A :

3000-1900 B.C.

Kalibangan II : 2900-1900 B.C.

Rangpur II A :

2000 (?)-1900 B.C.

Late Harappan Culture

Lothal B, Rangpur II B : 1900-1700 B.C.

Devolutionary phase of Late Harappan Culture

Lothal B (latest levels) and Rangpur II C : 1700-1600 B.C.

Prabhas Period II (Early Prabhas Culture): 1800-1500 B.C.

Post-Harappan Cultures

Lustrous Red Ware Culture Rangpur III :1600-1300 B.C.

Late Prabhas Period III : 1500-1200 B.C.

*

Developed brisk overseas trade and established merchant colonies in Bah-

rain, Failaka and the Euphrates -Tigris valley.

*

Built the first dockyard of the world.

*

Introduced weight unit and script in Bahrain and Oman.

*

First to have a decimal graduation for linear measurement equivalent to

Greek Uncia.

*

Conceived of energy in three forms- fire, sun & lightning.

*

Terracotta model of a plough from Banawali and the seed drill motif on a seal

from Lothal confirm the use of sophisticated agricultural implements.

*

Natural calamities caused decay of Harappan towns and cities.

*

Cotton : main commercial crop and used in manufacturing cloth.

*

Domestication of animals and cultivation of plants was done.

*

They liked monkey, squirrel, hare, dove, and parrot and produced excellent

terracotta models of these animals and birds.

*

Tiger, rhinoceros and gharial, though feared, served as symbols of divine

power and were carved on seals.

*

Usage of copper and bronze tools in ornaments and agricultural implements.

*

Bead-making industry catered to international and domestic market.

*

Ceramic industry : rich in typology and decoration.

*

The art of painting on pottery had reached sophistication.

THE VEDIC AGE

The Vedas which form the earliest Indian literature consist largely

of hymns to the Aryan gods in their language, Sanskrit. Veda means

knowledge and is derived from the root,

vid

, to know. The Rig Veda,

the earliest of the Vedas, parts of which were composed prior to 1000

B.C., consists of 1028 hymns to the Aryan gods and were composed by

priests. The remaining Vedic literature- the Sama, Yajur and Atharva

Vedas - is of later date.

Each of the Vedas has two main divisions - the

samhitas,

and the

Brahmanas. The samhitas

consist of the/rawfra portion of the Vedas.

Mantra

means formula, a verse or phrase believed to have magical or

religious efficiency. Each entire collection of

mantras

forms a

samhita.

There are four principal

samhitas - Rig Veda samhita, Yajur Veda

samhita, Sama Veda samhita, Atharva Veda samhita.

The second part

of each

Veda,

the

Brahmana,

is mostly in prose containing detailed

descriptions of the sacrifical rites and the modes of their performance.

The

brahmanas

(composed from about 700 B.C. onwards) being

in prose could not be so readily learnt by rote as verse.

The

Vedas, Brahmanas, Aryanyakas

and

Upanishads

comprise

the literature known as Vedic. They are believed to have been directly

revealed to its authors and are known as

shruti

(‘heard’). They are

therefore of greater sanctity than the later texts known as

smriti

(‘remembered’). The

sutras

and

shastras

are

smriti.

Th

e Aryans

worshipped the forces of nature which they invested

with divinity.

Indra

was the foremost among the Aryan gods. He was

the god of thunder and rain who helped the Aryans to vanquish their

enemies.

Agni

was the god of fire, the purest of the five elements. Fire

played a prominent part in Aiyan rituals. The other gods included

Surya

(Sun),

Varuna,

who presided over the other gods in the Heavens and

Yama,

the god of Death. There were a number of lesser gods and

goddesses and deities.

The Vedic period produced the two great epics of India, the

Ramayana

and

Mahabharata.

The author of the first is reputed to be the

sage

Valmiki,

the author of the second is the sage

Vyasa.

But both the

epics seem to have grown in length with additions and interpolations

being made subsequently.

The complete

Mahabharata

of 100,000 verses, the longest single

poem in the world, is mentioned for the first time in an inscription of

the Gupta period (4th century A.D.). Among the religious poems that

form part of this epic, the most famous is the

Bhagavad Gita,

the "Song

of the Lord", which constitutes the cornerstone of Hinduism.

The

Upanishads

, composed from 700 B.C., represent a higher

stage in Aryan evolution. They contain speculation and thinking about

such fundamental questions as the beginning of creation and the exis-

tence of a creator. The term

Upanishad

means a "sitting down near",

sitting at the feet of a master who imparts spiritual doctrines.

The early

Upanishads

embody a bewildering variety of specula-

tions and theories on the origin of the universe, the nature of the soul

and other problems. Creation was attributed to the primeval person,

Prajapati,

who feeling the need for companionship, divided himself

and produced a wife. This couple taking the form of men and animals,

created the whole universe.

The world was also said to have originated in a ‘Golden Embryo’

(Hiranyagarbha),

which became the basis of the cosmic Egg of later

Hindu mythology.

Hinduism as we know it today developed out of these metaphysi-

cal enquiries. The philosophy of the

Upanishads

with its concept of the

Absolute or the Universal Soul militating against the multiplicity of

Aryan gods, resulted in the idea of the trinity of gods with

Brahma

as

the Creator,

Vishnu

as the Preserver and

Shiva

as the god who destroys

the world when it becomes evil-ridden.

Sacrifices, which occupied a prominent place in the Vedic ritual,

included offerings of milk, grain,

ghee

(clarified butter) and the juice

of the Soma plant.

The object of the sacrifice was the gratification of the gods in order

to obtain boons from them.