ornament is made representing the first wife, which
the second wife wears.
Silwatta
: An amulet case shaped like a small gold
pillow or bolster with two rings attached to suspend it.
Suti
: A kind of neck ring especially popular in the North
Bihar (Tirhut) region..
Tawij
: Most of the Hindustani women wear round
their necks, strung upon black silk thread. Tawijes
are the silver cases enclosing either quotations from
the Koran or any Mantra (incantation), some mysti-
cal writings, or some animal or vegetable substance.
What ever be their contents, great reliance is placed
on their efficacy in repelling disease and averting the
influence of witchcraft (jadu), of which the people of
India, of every sect, entertain greatest apprehension.
Hence it is not uncommon to see half a dozen or more
of these charms strung upon the same thread; some-
times with the addition of Baghna (the teeth and the
nails of a tiger or tiger’s claws, which are hung round
the neck of a child).
Teota
: An ornament with one row of beads only.
Tilari or Panchlari:
A set of three or five chains of
various lengths.
Timania:
An ornament with three pieces or an orna-
ment with three gems studded on it (Ti or Tri means
three).
Tokhli
: A flat square plate engraved with figures.
Tonk or Hasli:
It is a solid collar of gold or silver,
weighing from four ounces to nearly a pound. Being
made of pure metal, they are easily bent, so as to be
put on and off. They are commonly square in front,
under the chin for several inches, and taper off gradu-
ally to not more than half their greatest diameter,
terminating at each end with a small knob, cut into po-
lygonal form. This ornament is sometimes carved in
the Oriental style, either through the whole length, or
only on the front.
Tulsi
: Nearly the same as the Do-lari, except that in-
stead of the gold-beads being round, they are of an
octogonal shape. Tulsi however, means “the sacred
basil” (Ocy mum sanctum), so rosaries used by wor-
shipper of Lord Vishnu are made of Tulsi wood.
Vajratik
: Literally thunderbolt spangle, a “lightning
guard”.
Vindivijora
: Literally a thumbscrew.
Zangiri
: A set of charms
Arm ornaments
Anant
(literal mean-
ing endless) : A
large thin but solid
ring of gold or silver
chiefly used by Hin-
dus; the same idea is
symbolised by a
snake
ring
in
which the serpent’s
tail is in its mouth.
Anant, Taar or Tciruja
: Arm ornaments or small arm-
lets worn principally by Hindu women. These are
quite similar to ‘babhunta’.
Baank
: An armlet made of one piece. It is worn by
Hindu women on the right arm, but by Muslim
women on both.
LIFESTYLES
Eternal India
encyclopedia
Babhunta
: A round armlet made of five pieces strung
together, and worn lowest on the arm.
Bajuband
: A broad belt-like ornament, generally
mounted on silk and tied on the upper arm.
Bajubandooloos
: A bajuband or an armlet worn by
men.
Baza or Bajuband
: A wide armlet.
Bazu Sada
: Bazu and Sad are the Persian words re-
spectively for arm and plain. An arm ring has long
been one of the special signs of kingly dignity in the
East, and perhaps especially so in Middle Asia and
the kingdoms of which Persia was the heir.
Bazu-Tawiz
: An armlet with an amulet.
Bazu-sar-Ghundika
: An armlet with a stud or button or
pendant.
Berekhi
: An arm ornament worn by women in the
western part of Bihar.
Bhawatta
: A square gold ornament, worn on the upper
arm.
Bhujband or Bajuband
: A trinklet adorned with semi-
circular ornaments made hollow, but filled with
melted resins. The ends are furnished with loops of
the same metal, generally silver, and secured by
silken skeins.
Bijawath, Bijeth and Bijanta :
These are five ornaments
strung together and worn below Baza or Bajuband.
Dhulai or Baota
: An ornamented gold ring for the arm.
Govamolatadoo :
A girdle worn by men and women.
Jausan, Pat
: Worn principally by Muslim women on the
upper arm immediately below the bazu.
Jhabuja
: An arm ornament in shape like that of an in-
verted cup hanging from the arm, and to which bells
(bachwa) are attached; and ‘ghundi’ or little ball pen-
dants hanging from the Bazu or Anant.
Kammarpatta Molatador :
A zone worn round the
waist.
Kanakanaloo
: An ornament worn on the wrist by
women.
Mundali
: A clasp.
Nauratan:
It is the same as Bajuband. The ornament
consists of a band of nine gems set side by side and tied
by silk ties.
Paan-panawa or Balamtar
: An ornament worn on the
back, between the shoulder; Hindus call it ‘Pan-
panawa’ and Muslims ‘Balamtar’.
Sikri: A
long chain worn on the upper part of the arm.
Tad or Tar
: Tar means wire. A wire of precious metal
shaped like an arm ring.
Tawiz
: An amulet worn on the upper arm. It is same
like Nahar-ka-kara, only difference is in its being
more ‘charged’ to ward off any evil. Trying it on the
arm signifies providing more strength to the arm.
Wrist ornaments
Aak-ke-phula-ki-Pahunchi:
A
braclet
shaped
like
flower of Aak (Asciepias
gigantea).
Astur
: An ornament worn singly and next to the hand.
Athapahalu-kara
: Octagonal bracelets or bracelets
with octagonal or hexagonal heads.
Bain
: An armlet, broad and heavy.
Bangdis:
Gold bangles.
Bani: A
long sleeve or tube wom on both arms, like a lot
of churis fastened together.
Banka
: A thick gold bracelet, mostly wom by Hindus.
Chand; puths; todas or cords: A
rope-shaped orna-
ment.
Chhanni: A
bracelet.
Chur or Chura
: An ornament consisting of several
‘Paatris’ joined together.
Churis
:
Churis of sorts, as for example, Kan-
takhaarat Churas, Kanganidar; they are generally
made of a flat ribbon of gold or silver bent round.
Gajra: A
flexible bracelet made of square gold studs
mounted on a silk band.
Gokru : A
bracelet enriched with bells, also wom on the
ankles.
Got
: An ornament in circular shape (‘got’ means a
circle).
Gujri or Gujarni
: This ornament is wom on both the
hands and feet. The name is probably derived form
the Gujar tribe, who are mostly shepherds and herds-
men in Rajasthan. It has little balls or bells upon it.
Gunthua-kara
: A bracelet of strings or wires.
Himbalai
: An ornament wom alongwith Bangris, sin-
gly and next to the body.
Jadau Pahunchi: A
Pahunchi, or bracelet set with
gems.
Jhankangan : A
small hollow karas, with grains intro-
duced into the hollow to ratde.
Kangan or Kara Zanana
(bracelets made specially for
women): A delicate bracelet suiting feminine taste.
Kangan, kara or gokru
: A bracelet of stiff metal wom
bent round the arm; when the edges are serrated it is
called ‘gokru’.
Kangans, Ek-hara and Do-hara
: One-rowed or two-
rowed braclets.
Kara
: A ring wom on the wrist, ankle etc. These rings
are commonly hexagonal or octogonal, of equal
thickness throughout, and terminated by a knob at
each end, the same as in the Hansli or Hasli.
Lahsun-ke-phant-ki-Pahunchi
: A braclet designed like
garlic bud with a crevice in the middle. Both (49 & 50)
varieties of braclets are formed of small pointed
prisms of solid silver, or hollow of gold filled with
melted resin, each about the size of a very large
barley-corn, and having a ring soldered to its bottom.
These prisms are strung upon black silk as close as the
pointed or perhaps rounded ends will admit, in three
or four paralled rows, and then fastened.
Nahar-ka-kara : A
tiger-headed bracelet of Azhdaha,
a dragon-headed bracelet. These are the technical
names for bracelets or anklets, the heads of which
terminate in the forms of the heads of animals.
Nogri or Naugari: A
bracelet composed of balls or
clusters of grape like balls.