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Eternal India

encyclopedia

MUSIC

Mukhveena

:

Reedy

diminutive

naagaswaram - like wind instrument. The

mukhveena

family comprises

mukhveena,

nagaswaram

and

shehnai

The

mukhveena

is

a smaller variety of nagaswaram which has an

important place in Karnatak classical music.

All the instruments of the

mukhveena

family have two small flat pieces of reed held

together. The tube is generally of wood but

may be of metal also. The tube has seven

holes for playing the melody.

Clarionet

: Another gift from the West,

has become a sister to nagaswaram, but is not

as common as it was before. Saxophone is

taking over as a new find.

Nagaswaram

: Loud-volumed long wind

instrument.

Popular musical instrument of the South.

A double-reeded instrument with a coni-

cal bore that flares out towards the bottom end.

Made of hardwood. About 1V

2

or 2 feet in

length. The instrument consists of twelve holes,

the upper seven holes are used to produce dif-

ferent notes on different pitch. The remaining

five holes are closed with wax according to

choice of the performer to regulate the pitch.

The reeds

: These are two small flat

pieces of reed held together leaving a small

gap between them. The pair is fixed to the tube

of the instrument either directly or by means

of a metallic staple.

The Tube

: This is the main body of the

instrument and acts as a resonator. It is more or

less conical in shape, narrow near the blowing

end and opening out gradually. Usually there

is a 'bell' of metal at the farther end. The tube

is generally of wood, but may be of metal also.

WIND INSTRUMENTS

Nagaswarams

of silver, gold and even

soapstone are known.

The tube bears holes used for playing the

melody by closing or opening them. The

mukhaveenas

do not have keys, unlike the

Western oboes; for such mechanical arrange-

ment cannot produce the finer

srutis

and

ga-

makas,

so essential to Indian music.

Eminent Nagaswaram players:

Thiruveezhimalai Subramania Pillai, T.N.

Rajaratnam Pillai, Karaikurchi Arunachalam

(L), Namagiripetai Krishnan (L), Sheikh

Chinna Moulana (L), P.S. Veeruswamy

Pillai, T.S. Natrajasundaram Pillai (L.)

SHEHNAI

The shehnai which came to India from

West Asia and was called surnai in Persian,

later changed to shehnai.

Bismillah Khan

Eminent Shehnai players:

*

Bismillah Khan, * Ali Hussain Khan

*

Anant Lai * Siddharm Jadhav, * Sundri.

FLUTE

The flute has been known in India from

very ancient times. Comparable to the veena

of the Goddess Saraswati and the damaru of

Shiva, it has held a mystic fascination for

India. Lord Krishfia is seeing playing on the

flute.

There are two distinct varieties. One is

blown across a side hole near a closed end - the

proper flute - the other is an open tube blown

across centrally. The transverse flute, which

is held horizontally across the face of the

player is the most common kind. Flutes in the

South are shorter than those in the North.

Direct Flute

: Wind instruments in which

the wind is blown through a mouth hole in the.

wall of the instrument eg. sankha, conch,

murali, venu, bansuri, bansi, pungi, algoza

etc.

Transverse Flute

: Instruments that are

blown through vibrating reeds of palm leaf

and mouth pieces eg. - shehnai, nagaswaram,

clarionet, bagpipe of the West etc.

Vertical Flute

: Instruments, in which the

column of air is set to vibrate by blowing

obliquely the pipe as it is found in the ancient

instruments of the Greeks and Chinese eg.

"Syrnix" and "Pan Pipes".

Eminent in Flute

: Sharabha Shastri,

Palladam Sanjeeva .Rao, Thirupambaram

Swaminatha Pillai, Pannalal Ghosh, H. Rarna-

chandra Shastri, T. R. Mahalingam, Devendra

Murdeshwar(L), Hari Prasad Chaurasia(L),

N. Ramani (L), Guruvayur S. Srikrishnan (L),

Sikkil Sisters (Neela & Kunjumani) (L), T.'

Viswanathan (L) and K.S. Gopalakrishnan

(L).

Sankha

: It is the manifestation of sound

in nature and considered to be pious. It pro-

duces a deep and voluminous sound.

Rausana

-

Chauki

: A band of four per-

sons playing on wind, drum and percussion

types of musical instruments prevalent in India

till first quarter of present century. Consisted

of two bamboo flutes of a special type known

as Uns, a special type of drum called as

Champa and a kind of bell named Jhunajhuna..

Nauvata

: A band of wind, drum and per-

cussion types of musical instruments played

together at a time by a group of seven perform-

ers besides the conductor and the helper. This

party of nine players is called as 'nauvata'. It

was exclusively organised for the entertain-

ment of kings and noblemen of the medieval

age in India.

Algoza

: An ordinary flute having finger

holes ranging from 6 to 8. Played by blowing

straight through the mouth hole. Used in folk

dances of Punjab.