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Mircea Cartarescu

108

was taken by the chair that

has been waiting there for

tens of years maybe, fixed

to the floor in bolts. Not

one speck of dust, no spider

web, not the least trace of

mould in that silent room

showed the passage of time.

It looked like an image from

the centre of your mind,

clear like in a camera lucida

and equally enigmatic. I sat

down on the yellowish chair

covered in fake leather, like

I would do over and over

again. One push of a metal

switch turned on the lights

on the huge porcelain plate.

I remained suffused in light,

my back against the chair,

my head leaned on its head

cushion, like a navigator

in a ship crossing the gap

between galaxies.

What was this vision doing

here? The old man hadn’t

told me anything about his

“dental office” that I initially

imagined the tower to be.

But what kind of office could

this be, where in order to

reach you needed to go

through the bedroom, go up

a stair, get out on the house

terrace, go up again on

the narrow and dangerous

cement stair that went

around the tower, then go

down like in a submarine in

order to get to the dentist?

Who would ever get into

that claustrophobic and

sinister trap? And where

was the waiting room? I

thought about all these in

the hours when, withdrawn

in my tower under the clear

light of the bulbs fixed in

the ivory platter, I played

with the instruments on the

enamelled tray in front of

me: weird crooked tongs,