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Mircea Cartarescu

88

warehouse which filled

the neighbourhood with

fresh resin smell. But Maica

Domnului Street did not lead

directly to that area, it went

askew towards Colentina.

I crossed the railway beyond

the park, the one I’d never

seen a train on, and, like I

had imagined, I was greeted

by a place like no other in

the world. When one is four

years old, every new place is

so. The state of hallucination

and dreaming accompanies

one always until the

memory tracks get printed

on one’s brain. Any new

landscape is fabulous and

unusual in itself, regardless

how common it were in

truth, because “in reality”,

“in truth”, “as it is” are still

phrases without meaning

for onewhoperceives reality

the way we later live in our

first memories or dreams.

Maica Domnului Street has

always seemed to me like

a tentacle of a dream in

the world that is awake or,

if everything exists on the

inside and reality is a mere

illusory artefact, as a flicker

arrived from the deep and

submerged childhood.

On Maica Domnului there

is no “normal” house and

person, because normality

itself ceases here. There

is also no normal weather.

When you enter this track,

this channel from another

world and another life, the

climate changes and the

seasons turn upside down.

Here there’s always, like

I wrote before, a putrid

and luminous autumn.

The asphalt strip placed

who knows when over

the formerly cobbled road