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Solenoid

91

only one with no fence and

it doesn’t need one, the way

it sombrely dominates at the

end of a waste ground full

of rusty springs and ancient

refrigerator

containers.

Everybody throws their old

stuff in front of my house.

It isn’t even actually ship

shaped, it has a shape

which stubbornly opposes

any description. The lower

side should be cubic, but

it somehow became a

pyramid section with the

larger base above, like a

paper boat. A crooked lop-

sided tower stands on its

platform. The tower can be

reached on an external raw

cement spiral stair twisted

tightly up to the only door

of the room, worn-out by

bad weather. The lower

floor, the actual house has

an almost monumental

entrance: a heavy wrought

iron gate depicting two long

haired maidens carrying

lamps in their thin hands. To

the left there are two square

windows latticed with the

same wrought iron, black

iron in thin convulsively

contorted bars. The front

is grey, worn out like all the

other houses in the street.

The round window of the

tower burns madly in the

sun at any time of the day.

The tower is unearthly

beautiful against the clear

sky full of white fluffy clouds

of

summer

mornings,

but in deep evenings the

scarlet flame of the window

stuns you. This demented,

desperate shine, this cry for

help made me then, on that

October evening, desire

the ugly sad house more

than anything in the world.