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“toning down her style to strike what she conceives to be a may-

oral demeanor ... while the spirit is still there, too often she has

sounded false and vague.”

He was even tougher on three of the candidates who out-

polled her. He dismissed the incumbent Abe Beame as “hope-

lessly bereft of substance”; excoriated Mario Cuomo (the

eventual runner-up) for remarking that “we’re at a point now in

society where you have to be as primitive as talking about how

we lock up the animals [i.e., blacks] who threaten us”; and de-

nounced the winner, Ed “Fast Eddie” Koch, who—after the fa-

mous blackout that summer and the citywide looting that

followed—shifted to a “law and order” platform and was re-

warded for his shameless “right-left fan dance” with victory.

Doug’s wit was as razor-sharp as his intellect: on another occa-

sion he referred to Cuomo (who in general he admired) as “a

politician able to hide behind his own candor.” And of Koch he

made the devastating comment: “I refute the fact that Ed Koch

is a closet gay man. He is a closet human being.”

S

TARTING IN THE MID

-’70

S

, Doug increasingly felt

that his talents and his opportunity to influence

events lay not in direct-action politics but in jour-

nalism. As he put it in one of the first of many ar-

ticles for the then hip, now defunct,

SoHo Weekly

News

(Jan. 26, 1978):

I used to be in the politics business. Running campaigns for peo-

ple. Helping them ornament their public personalities, and or-

dering their person, private and public agendas, and like that. ...

The politics business is, after all, a trade based upon the manip-

ulation of people. So those skilled at [it] ... are usually quite adept

at ordering their own personalities in such a way as to mask com-

pletely their own real identities ... people who would like to be

nice people but don’t quite know how—and [also] people whose

closets are entirely empty: there’s nobody home at all.

He worked briefly for a wire service, then got hired at

The

New York Post

in its pre-Murdoch days, when Dorothy Schiff

was still the owner and it had the reputation for being the most

liberal paper in the country. In addition to writing for the radical

SoHo Weekly News

, he went on to become, for seven years, the

chief media critic for what was then another genuinely alternative

source of news,

The Village Voice

. Over time he would write as

well for

New York

,

In These Times

, the

L.A. Weekly

,

The Nation

,

POZ

, and, later still, the on-line site

Tom Paine.com

. Overseas—

he lived for most of the ’80s in France—he wrote for

Libération

and for the investigative blog

Bakchich

.

A long list of publications, yet Doug never found a true

home in any of them. One reason was that he insisted on writ-

ing about the struggle for gay equality, though editors and

friends would admonish him, telling him that it would hurt his

credibility as a journalist: “We want you to be taken seriously”

is a line Doug often heard. It reminded him of André Gide’s re-

sponse to friends who tried to dissuade him from publishing

Corydon

, his pioneering treatise on homosexuality. Gide would

quote Ibsen: “Friends are dangerous not so much from what

they want to make you do, but because of what they want to

prevent you from doing.”

Also at issue was Doug’s combative refusal to dilute his

commitment to radical politics. Micah Sifry, Doug’s editor at

The Nation

, recalls that “it was often a struggle to get his writ-

ing” into the magazine. During the Clinton administration, Sifry

adds, “Doug’s politics were to the left of the magazine’s. It was

not a happy relationship. There was a time when everyone ex-

pected Doug to be the next Jimmy Breslin, but he couldn’t be

the next Jimmy Breslin because he was too true to his principles

and wouldn’t cut those corners.”

John Berendt, Doug’s editor—and lifelong friend—at

New

York

, tells a similar story. Doug published less than a handful of

pieces in the magazine, his tenure cut short over a political spat.

He was part of a team effort putting together a feature piece

about Andrew Stein, then running for Manhattan Borough pres-

ident, when Stein’s influential father, Jerry Finkelstein, got wind

of Doug’s participation and raised hell about what he assumed

was going to be a hatchet job. Finkelstein was given “assur-

ances”—and Doug resigned in protest.*

If the press lords as a group found Doug toxic, many of his

fellow reporters valued him highly. Bruce Shapiro recalls first

meeting Doug in 1981 when he was “holding court in the con-

ference room at

The Nation

.” Its editor-in-chief, Victor Navasky,

had enlisted Doug’s help in putting together an American Writ-

ers Congress based on similar leftwing gatherings in the 1930s.

Shapiro also worked on that Congress and remembers Doug as

“an immense, rumpled, bespectacled owl ... regaling a tableful

of interns and editors” with sardonic yarns, “gleefully report[ing]

every ancient sectarian faction fight, sexual imbroglio and bar-

room brawl in New York, inviting us to picture the blood-and-

feathers mayhem that would ensue if Novelist A was put on a

panel with Historian B.” Alternately, Doug held court at Jimmy’s

bar, the Lion’s Head (a favorite hangout for journalists) and

Elaine’s, the celebrity mecca. At all of them Doug ate, drank,

and talked with flamboyant enthusiasm.†

Micah Sifry emphasizes the serious side of Doug’s Fal-

staffian conviviality: “He was probably the most knowledge-

able person I had encountered on the ins and outs of New York

politics and national politics. I was always learning at his knee.”

The writer Christopher Hitchens (“Hitch”) was another pro-

found admirer. When they met in the late ’70s, Doug was one

of the few mainstream journalists who’d come out as openly

gay. That took guts in a notoriously homophobic profession and

Hitch admired him for it. He made a point of telling Doug that

the most emotionally intense—and sexual—relationship of his

22

The Gay & Lesbian Review

/

WORLDWIDE

* Revealed to me by John Berendt in an e-mail dated March 27, 2014.

† Bruce Shapiro’s “Remembering Doug Ireland” appeared in

The Nation

, Nov.

2, 2013.